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| Author | Essay |
Location |
| Daalder, Joost | The Role of "Senex" in Kyd's The Spanish Tragedy | Volume 20, Issue 3 Fall 1986 |
| Damberger, Stanley and Ellin M. Kelly |
The Great Calvaries of Brittany and the Medieval Breton Burzud braz Jezuz | Volume 25, Issue 1 Spring 1991 |
| D'Amico, Jack | The Treatment of Space in Italian and English Renaissance Theater: The Example of Gl'Ingannati and Twelfth Night | Volume 23, Issue 3 Fall 1989 |
| Dane, Joseph A. | The Ovids of Ben Jonson in Poetaster and in Epicoene | Volume 13, Issue 3 Fall 1979 |
| Danker, Frederick E. | Emblematic Technique in the Auto Sacramental: Calderón's No hay más fortuna que Dios | Volume 6, Issue 1 Spring 1972 |
| Davidson, Audrey E. | Planctus Mariae: A Performance Edition | Volume 42, Issue 3 |
| Davidson, Clifford | Demonstration Performance of the Cividale Planctus Mariae: A Report view 1st paragraph |
Volume 42, Issue 3 Fall 2008 |
| ------ | Medieval Drama: Diversity and Theatricality | Volume 8, Issue 1 Spring 1974 |
| ------ | On the Uses of Iconographic Study: The Example of the Sponsus From St. Martial of Limoges | Volume 13, Issue 4 Winter 1979-80 |
| ------ | Positional Symbolism and English Medieval Drama | Volume 25, Issue 1 Spring 1991 |
| ------ | Sacred Blood and the Medieval Stage | Volume 31, Issue 3 Fall 1997 |
| ------ | The "New Historicism" and Early Modern Drama: A Review Article | Volume 22, Issue 4 Winter 1988-89 |
| Davis, Robert | Is Mr Euripides a Communist? The Federal Theatre Project’s 1938 Trojan Incident view abstract |
Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Davril; O.S.B, Anselme | Johann Drumbl and the Origin of the Quem Quaeritis: A Review Article | Volume 20, Issue 1 Spring 1986 |
| Demastes, William W. | Understanding Sam Shepard's Realism | Volume 21, Issue 3 Fall 1987 |
| de Ràfols, Wilfredo | Nonworded Words and Unmentionable Pharmaka in O'Neill and Valle-Inclán | Volume 31, Issue 2 Summer 1997 |
| DeRitter, Jones | A Cultural Dependence: The Social Context of The London Merchant | Volume 21, Issue 4 Winter 1987-88 |
| ------ | "Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Jane Shore | Volume 31, Issue 1 Spring 1997 |
| Desai, R. W. | "What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in The Winter's Tale | Volume 30, Issue 3 Fall 1996 |
| Dessen, Alan C. | The Morall as an Elizabethan Dramatic Kind: An Exploratory Essay | Volume 5, Issue 2 Summer 1971 |
| Devlin, Eugene J. | The Imperial Play as Final Chapter in the Jesuit Theater in Austria | Volume 23, Issue 2 Summer 1989 |
| ------ | The Regnum Humanitatis Trilogy: A Humanist Manifesto | Volume 26, Issue 1 Spring 1992 |
| Diamond, Catherine | Maturation and Political Upheaval in Lloyd Fernando's Scorpion Orchid and Robert Yeo's The Singapore Trilogy read first paragraph |
Volume 36, Issue 1,2 Spring/Summer 2002 |
| Diehl, Huston | Iconography and Characterization in English Tragedy 1585-1642 | Volume 12, Issue 2 Summer 1978 |
| Diller, Hans-Jürgen | Code-Switching in Medieval English Drama | Volume 31, Issue 4 Winter 1997-98 |
| ------ | Laughter in Medieval English Drama: A Critique of Modernizing and Historical Analyses read first paragraph |
Volume 36, Issue 1,2 Spring/Summer 2002 |
| ------ | Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles to the Early Tudor Comedies | Volume 23, Issue 2 Summer 1989 |
| Djordjevic, Igor | Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play read first paragraph |
Volume 37, Issue 1 Spring 2003 |
| Doebler, Bettie Anne | Continuity in the Art of Dying: The Duchess of Malfi | Volume 14, Issue 3 Fall 1980 |
| Doebler, John | When Troy Fell: Shakespeare's Iconography of Sorrow and Survival | Volume 19, Issue 4 Winter 1985-86 |
| Dougherty, Carol | The Double Vision of Euripides' Cyclops: An Ethnographic Odyssey on the Satyr Stage | Volume 33, Issue 3 Fall 1999 |
| Dowling, John | Fortunes and Misfortunes of the Spanish Lyric Theater in the Eighteenth Century | Volume 31, Issue 1 Spring 1997 |
| Downey, Charles T. | As imaginem suam: Regional Chant Variants and the Origins of the Jeu d'Adam read first paragraph |
Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| Drougge, Helda | Love, Death, and Mrs. Barry in Thomas Southerne's Plays | Volume 27, Issue 4 Winter 1993-94 |
| Duffy, Joseph M. | Madhouse Optics: The Changeling | Volume 8, Issue 2 Summer 1974 |
| Dugan, Lawrence | O'Neill and the Wobblies: The IWW as a Model for Failure in The Iceman Cometh view abstract |
Volume 36, Issue 1,2 Spring/Summer 2002 |
| ------ | The Tyrone Anthology: Authority in the Last Act of Long Day's Journey Into Night view abstract |
Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| Duncan, Helga L. | Sumptuously Re-edified: The Reformation of Sacred Space in Titus Andronicus view abstract |
Volume 43, Issue 4 Winter 2009 |
| Dundas, Judith | The Masks of Cupid and Death | Volume 29, Issue 1 Spring 1995 |
| ------ | The Refusal to Paint: Shakespeare's Poetry of Place | Volume 23, Issue 4 Winter 1989-90 |
| ------ | The Truth of Spectacle: A Meditation on Clouds | Volume 14, Issue 4 Winter 1980-81 |
| ------ | "Those Beautiful Characters of Sense": Classical Deities and the Court Masque | Volume 16, Issue 2 Summer 1982 |
| ------ | "To See Feelingly": The Language of the Senses and the Language of the the Heart | Volume 19, Issue 1 Spring 1985 |
| Dunn, E. Catherine | The Farced Epistle as Dramatic Form in the Twelfth Century Renaissance | Volume 29, Issue 3 Fall 1995 |
| Durbach, Errol | Antony and Cleopatra and Rosmersholm: "Third Empire" Love Tragedies | Volume 20, Issue 1 Spring 1986 |
| ------ | Sophocles in South Africa: Athol Fugard's The Island | Volume 18, Issue 3 Fall 1984 |
| Dutka, JoAnna | Music and the English Mystery Plays | Volume 7, Issue 2 Summer 1973 |
| ------ | Mysteries, Minstrels, and Music | Volume 8, Issue 1 Spring 1974 |
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