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| Author | Essay |
Location |
| Radcliff-Umstead, Douglas |
Cecchi and the Reconciliation of Theatrical Traditions | Volume 9, Issue 2 Summer 1975 |
| Raghavan, V. | Sanskrit Drama: Theory and Performance | Volume 1, Issue 1 Spring 1967 |
| Ramakers, B. A. M. | St. Denis in Antwerp: Hagiographica in a Protestant Play | Volume 25, Issue 1 Spring 1991 |
| Ranganathan, Edwina | Kuravanji Nattiya Nadagam: A Dance Drama from Madras State | Volume 4, Issue 2 Summer 1970 |
| Rebhorn, Matthew | Edwin Forrest’s Redding Up: Elocution, Theater, and the Performance of the Frontier view abstract |
Volume 40, Issue 4 Winter 2006-07 |
| Reid, Gregory | Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama read first paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Reid, Robert L. | Epiphanal Encounters in Shakespearean Dramaturgy | Volume 32, Issue 4 Winter 1998-99 |
| ------ | Humoral Psychology in Shakespeare's Henriad | Volume 30, Issue 4 Winter 1996-97 |
| ------ | Sacerdotal Vestiges in The Tempest view abstract |
Volume 41, Issue 4 Winter 2007-08 |
| Remhardt, Ralf Erik | The Birth of Reason from the Spirit of Carnival: Hans Sachs and Das Narren-Schneyden | Volume 23, Issue 1 Spring 1989 |
| Rice, Nicole R. | “Whom Seek Ye, Sirs?”: The Logic of Searching in the York Herod and the Magi view abstract |
Volume 43, Issue 1 Spring 2009 |
| Richards, Jeffrey H. | Race and the Yankee: Woodworth's The Forest Rose read first paragraph |
Volume 34, Issue 1 Spring 2000 |
| Richardson, Brian | Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage | Volume 22, Issue 3 Fall 1988 |
| Riggio, Milla | Ta'ziyeh in Exile: Transformations in a Persian Tradition | Volume 28, Issue 1 Spring 1994 |
| ------ | Wisdom Enthroned: Iconic Stage Portraits | Volume 23, Issue 3 Fall 1989 |
| Robinson, J. W. | An Interlude or Mystery Play by William Ireland, 1975 | Volume 13, Issue 3 Fall 1979 |
| Robinson, James A. | Taoism and O'Neill's Marco Millions | Volume 14, Issue 3 Fall 1980 |
| Robinson, James E. | Caribbean Caliban: Shifting the "I" of the Storm | Volume 33, Issue 4 Winter 1999-2000 |
| Rogerson, Margaret | The Medieval Plough Team on Stage: Wordplay and Reality in the Towneley Mactacio Abel | Volume 28, Issue 2 Summer 1994 |
| Rollins, John B. | Judeo-Christian Apocalyptic Literature and John Crowne's The Destruction of Jerusalem read first paragraph |
Volume 35, Issue 2 Summer 2001 |
| Ronan, Clifford J. | Lucan and the Self-Incised Voids of Julius Caesar | Volume 22, Issue 3 Fall 1988 |
| ------ | Lucanic Omens in Julius Caesar | Volume 22, Issue 2 Summer 1988 |
| Ronan, Clifford J. and R. J. Kaufmann |
Tragedy and Its Validating Conditions | Volume 4, Issue 1 Spring 1970 |
| Rose, Jacques-Léon | Oskar Kokoschka's Phantasmagorical Vision: The Book of Job Transmogrified | Volume 5, Issue 2 Summer 1971 |
| Rose, Marilyn Gaddis | Axel: Play and Hearsay | Volume 2, Issue 3 Fall 1968 |
| ------ | The Daughters of Herodias in Hérodiade, Salomé and A Full Moon in March | Volume 1, Issue 3 Fall 1967 |
| ------ | Yeats's Use of Axël | Volume 4, Issue 4 Winter 1970-71 |
| Rosen, Carol C. | The Language of Cruelty in Ford's 'Tis Pity She's a Whore | Volume 8, Issue 4 Winter 1974-75 |
| Rosenberg, D. M. | Milton, Dryden, and the Ideology of Drama | Volume 21, Issue 1 Spring 1987 |
| Rosenthal, Laura J. | All injury’s forgot”: Restoration Sex Comedy and National Amnesia view abstract |
Volume 42, Issue 1 Spring 2008 |
| Ross, Lawrence J. | Symbol and Structure in the Secunda Pastorum | Volume 1, Issue 2 Summer 1967 |
| Ross, Zackary | Opening The Notebook of Trigorin: An Analysis of Tennessee Williams’s Adaptation of Chekhov’s The Seagull view abstract |
Volume 45, Issue 3 Fall 2011 |
| Rossi, Doc | Brecht on Shakespeare: A Revaluation | Volume 30, Issue 2 Summer 1996 |
| ------ | Hamlet and the Life of Galileo | Volume 32, Issue 4 Winter 1998-99 |
| Roth, Marc A. | The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers | Volume 13, Issue 2 Summer 1979 |
| Rothenberg, Albert and Eugene D. Shapiro |
The Defense of Psychoanalysis in Literature: Long Day's Journey Into Night and A View From The Bridge | Volume 7, Issue 1 Spring 1973 |
| Rouse, John | Shakespeare and Brecht: The Peril and Pleasures of Inheritance | Volume 17, Issue 3 Fall 1983 |
| Roy, Emil | Archetypal Patterns in Fry | Volume 1, Issue 2 Summer 1967 |
| ------ | The Archetypal Unity of Eugene O'Neill's Drama | Volume 3, Issue 4 Winter 1969-70 |
| ------ | Eugene O'Neill's The Emperor Jones and The Hairy Ape as Mirror Plays | Volume 2, Issue 1 Spring 1968 |
| ------ | G. B. Shaw’s Heartbreak House and Harold Pinter’s The Homecoming: Comedies of Implosion view abstract |
Volume 41, Issue 3 Fall 2007 |
| ------ | War and Manliness in Shakespeare's Troilus and Cressida | Volume 7, Issue 2 Summer 1973 |
| Russel, Anne | Katherine Philips as Political Playwright: “The Songs Between the Acts” in Pompey view abstract |
Volume 44, Issue 3 Fall 2010 |
| ------ | Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage | Volume 30, Issue 2 Summer 1996 |
| Russell, Richard | Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats… view abstract |
Volume 40, Issue 2 Summer 2006 |
| Ryan, Patrick | Marlowe's Edward II and the Medieval Passion Play | Volume 32, Issue 4 Winter 1998-99 |
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