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| Essay | Author | Location |
| Backbiter and the Rhetoric of Detraction read first paragraph |
Douglas W. Hayes | Volume 34, Issue 1 Spring 2000 |
| Bandello's "Timbreo and Fenicia" and The Winter's Tale read first paragraph |
Thomas E. Mussio | Volume 34, Issue 2 Summer 2000 |
| Bartholomew Fair: Ben Jonson's "A Midsummer Night's Dream" |
John Scott Colley | Volume 11, Issue 1 Spring 1977 |
| The Bastard to the Time in King John | Ronald Stroud | Volume 6, Issue 2 Summer 1972 |
| Beckett's Major Plays and the Trilogy | Charles R. Lyons | Volume 5, Issue 4 Winter 1971-72 |
| The Beginning of Hamlet | Cherrell Guilfoyle | Volume 14, Issue 2 Summer 1980 |
| "A beggar's book/ Outworths a noble's blood": The Politics of Faction in Henry VIII |
Stuart M. Kurland | Volume 26, Issue 3 Fall 1992 |
| Being Mistress Eyre in Dekker's The Shoemaker's Holiday and Deloney's The Gentle Craft view abstract |
Ann C. Christensen | Volume 42, Issue 4 Winter 2008 |
| Ben Jonson on Spectacle |
Richard Finkelstein | Volume 21, Issue 2 Summer 1987 |
| Ben Jonson's Social Attitudes: A Statistical Analysis |
Judith K. Gardiner and Susanna S. Epp |
Volume 9, Issue 1 Spring 1975 |
| Bertolt Brecht and George Farquhar's The Recruiting Officer |
Albert Wertheim | Volume 7, Issue 3 Fall 1973 |
| "In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted read first paragraph |
Christopher Wixson | Volume 39, Issue 1 Spring 2005 |
| "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays read first paragraph |
Zvika Serper | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s |
Maria Petzoldt McClymonds |
Volume 31, Issue 1 Spring 1997 |
| The Bible in English Renaissance Civic Pageants |
David M. Bergeron | Volume 20, Issue 2 Summer 1986 |
| The Biblical Intertext in Peter Shaffer’s Amadeus (Or, Saul and David in Eighteenth-Century Vienna) view abstract |
Nehama Aschkenasy | Volume 44, Issue 1 Spring 2010 |
| The Birth of Reason from the Spirit of Carnival: Hans Sachs and Das Narren-Schneyden |
Ralf Erik Remhardt | Volume 23, Issue 1 Spring 1989 |
| A “Birthright into a New World”: Representing the Town on Brome’s Stage view abstract |
Denys Van Renen | Volume 45, Issue 2 Summer 2011 |
| Blackened Faces and a Veiled Woman: The Early Korčula Moreška view abstract |
Max Harris and Lada Čale Feldman |
Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| "Blake and wyght, fowll and fayer": Stage Picture in Wisdom Who Is Christ |
David Bevington | Volume 19, Issue 2 Summer 1985 |
| "Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater view abstract |
Jennifer A. Low | Volume 39, Issue. 1 Spring 2005 |
| Body and Ritual in Farquhar | Derek Hughes | Volume 31, Issue 3 Fall 1997 |
| "Body's Image": Yerma, The Player Queen, and the Upright Posture |
Murray Baumgarten | Volume 8, Issue 3 Fall 1974 |
| Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago view abstract |
Charles Cathcart | Volume 37, Issue 2 Summer 2003 |
| "Both bodily deth and werldly shame": "Little Musgrave and Lady Barnard" as Source for A Woman Killed With Kindness |
Dean A. Hoffman | Volume 23, Issue 2 Summer 1989 |
| The Boundaries of the Rhetoricians' Stage | W. M. H. Hummelen | Volume 28, Issue 2 Summer 1994 |
| The Boy Who Would be King: Court Revels of King Edward VI, 1547-53 read first paragraph |
Suzanne Westfall | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Brecht and Witkiewicz: Two Concepts of Revolution in the Drama of the Twenties |
Andrzej Wirth | Volume 3, Issue 3 Fall 1969 |
| Brecht on Shakespeare: A Revaluation |
Doc Rossi | Volume 30, Issue 2 Summer 1996 |
| Brecht's Alienated Actor in Beckett's Theater |
Enoch Brater | Volume 9, Issue 3 Fall 1975 |
| Brecht's Concept of Character |
Walter H. Sokel | Volume 5, Issue 3 Fall 1971 |
| Brecht's Contacts With the Theater of Meyerhold |
Katherine Eaton | Volume 11, Issue 1 Spring 1977 |
| Brecht's Quarrel with God: From Anti-Theodicy to Eschatology |
Edward M. Berckman | Volume 10, Issue 2 Summer 1976 |
| The “Female Martinet”: Mrs. Harper, Gender, and Civic Virtue on the Early Republican Stage view abstract |
Jason Shaffer | Volume 40, Issue 4 Winter 2006-07 |
| Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour |
Nancy Guy | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Buddha, Kazanttzakis' Most Ambitious and Most Neglected Play |
Peter Bien | Volume 11, Issue 3 Fall 1977 |
| Building a Scene: The Text and Its Representation in The Atheist's Tragedy |
William E. Gruber | Volume 19, Issue 3 Fall 1985 |
| But owthir in frith or felde: The Rural in the York Cycle read first paragraph |
Chester Scoville | Volume 37, Issue 2 Summer 2003 |
| Byron and the Drama of Temptation |
Mervyn Nicholson | Volume 25, Issue 4 Winter 1991-92 |
| Byron's "Mental Theatre" and the German Classical Precedent |
Frederick W. Shilstone | Volume 10, Issue 3 Fall 1976 |
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