C
|
| Essay |
Author |
Location |
Can We Define the Nature of
Shakespearean Tragedy?
|
Robert Ornstein |
Volume 19, Issue 3
Fall 1985 |
Cancer and the Common Woman
in Margaret Edson's W;t
read first paragraph
|
Jacqueline Vanhoutte |
Volume 36, Issue 3,4
Fall/Winter 2002-03
|
Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English
Drama"
|
Richard Bevis |
Volume 31, Issue 1
Spring 1997 |
Canvas Walls and Cardboard Fortresses: Representatives of Place in the National
Historical Dramas of Early
Nineteenth-Century France
|
Barbara T. Cooper |
Volume 17, Issue 4
Winter 1983-84 |
"The care . . . of subjects' good":
Pericles, James I, and the Neglect
of Good Government
|
Stuart M. Kurland |
Volume 30, Issue 2
Summer 1996 |
Caribbean Caliban: Shifting
the "I" of the Storm
|
James E. Robinson |
Volume 33, Issue 4
Winter 1999-2000
|
A Catalan Corpus Christi Play: The
Martyrdom of St. Sebastian with the
Hobby Horses and the Turks
|
Max Harris |
Volume 31, Issue 2
Summer 1997 |
Castrati, Balzac, and BartheS/Z
|
Yvonne Noble |
Volume 31, Issue 1
Spring 1997 |
Cathedral Chapter and Town Council:
Cooperative Ceremony and Drama in
Medieval Rouen
|
Thomas P. Campbell |
Volume 27, Issue 1
Spring 1993 |
Cecchi and the Reconciliation
of Theatrical Traditions
|
Douglas Radcliff-Umstead |
Volume 9, Issue 2
Summer 1975 |
Celebrating Idleness: Antony and Cleopatra
and Play Theory
view abstract
|
Abigail Scherer |
Volume 44, Issue 3
Fall 2010 |
Centlivre v. Hardwicke: Susannah
Centlivre's Plays and the Marriage
Act of 1753
|
Margo Collins |
Volume 33, Issue 2
Summer 1999 |
The Changeling: Notes on
Mannerism in Dramatic Form
|
Raymond J. Pentzell |
Volume 9, Issue 1
Spring 1975 |
The Changing Faces of Love in
English Renaissance Comedy
|
Ejner J. Jensen |
Volume 6, Issue 4
Winter 1972-73 |
Chavittunātakam: Music-Drama
in Kerala
read first paragraph
|
Joly Puthussery |
Volume 37, Issue 3,4
Fall/Winter 2003-04
|
Chekhov and Naturalism: From
Affinity to Devergence
|
Nicholas Moravcevich |
Volume 4, Issue 4
Winter 1970-71 |
Chekhov in Ireland: Brief Notes
on Friel's Philadelphia
|
James Coakley |
Volume 7, Issue 3
Fall 1973 |
Children's Troupes: Dramatic Illusion
and Acting Style
|
Michael Shapiro |
Volume 3, Issue 1
Spring 1969 |
Chinese Ethnicity and the American
Heroic Artisan in Henry Grimm’s
The Chinese Must Go (1879)
view abstract
|
Hsin-yun Ou |
Volume 44, Issue 1
Spring 2010 |
Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh
view abstract
|
Min Tian |
Volume 37, Issue 3,4
Fall/Winter 2003-04 |
"Christicolae," Prudentius, and the
Quem Quaeritis Easter Dialogue
|
Robert E. Jungman |
Volume 12, Issue 4
Winter 1978-79 |
The Christos Paschon and
the Byzantine Theater
|
Sandro Sticca |
Volume 8, Issue 1
Spring 1974 |
Cibber and Vanbrugh: Language, Place,
and Social Order in Love's Last Shift
|
Derek Hughes |
Volume 20, Issue 4
Winter 1986-87 |
The Classical Treatment of Don
Juan in Tirso, Molière, and Mozart:
What Cultural Work Does It Perform?
|
J. Douglas Canfield |
Volume 31, Issue 1
Spring 1997 |
The Classicism of Robert Lowell's Phaedra
|
Jerome Mazzaro |
Volume 7, Issue 2
Summer 1973 |
"Cockes face" and the Problem of
poydrace in the Chester Passion
|
Lorrayne Y. Baird |
Volume 16, Issue 3
Fall 1982 |
Code-Switching in Medieval English Drama
|
Hans-Jürgen Diller |
Volume 31, Issue 4
Winter 1997-98 |
Comedia and Trauerspiel: On Benjamin
and Calderón
|
Anthony J. Cascardi |
Volume 16, Issue 1
Spring 1982 |
Comedic and Liturgical Restorations
in Everyman
|
John Cunningham |
Volume 22, Issue 2
Summer 1988 |
Comedy and Control: Shakespeare
and the Plautine Poeta
|
Douglas Bruster |
Volume 24, Issue 3
Fall 1990 |
"All Comes Clear at Last,"
but "the Readiness is All"
|
Thomas B. Stroup |
Volume 10, Issue 1
Spring 1976
|
Comic Eschatology in the Chester
Coming of Antichrist
|
Leslie Howard Martin |
Volume 5, Issue 3
Fall 1971 |
The Comic Ethos of Il Principe
view abstract
|
Angus Fletcher |
Volume 43, Issue 3
Fall 2009 |
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract
|
Rita Banerjee |
Volume 40, Issue 1
Spring 2006 |
| The Community of Morality Plays |
Merle Fifield |
Volume 9, Issue 4
Winter 1975-76
|
Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract
|
Robert Henke |
Volume 41, Issue 2
Summer 2007 |
Confraternities and Carnival: The Context
of Lorenzo de' Medici's Rappresentazione
di Giovanni e Paolo
|
Konrad Eisenbichler |
Volume 27, Issue 1
Spring 1993 |
The Confusions of Gallathea:
John Lyly as a Popular Dramatist
|
Kent Cartwright |
Volume 32, Issue 2
Summer 1998 |
Contemporary Contexts of Jonson's
The Devil is an Ass
|
Robert C. Evans |
Volume 26, Issue 2
Summer 1992 |
A Contemporary View of
The Duchess of Malfi
|
Louis D. Giannetti |
Volume 3, Issue 4
Winter 1969-70 |
Continuity in the Art of Dying:
The Duchess of Malfi
|
Bettie Anne Doebler |
Volume 14, Issue 3
Fall 1980 |
Coriolanus: History and the Crisis
of Semantic Order
|
Leonard Tennenhouse |
Volume 10, Issue 4
Winter 1976-77 |
Coriolanus: Inordinate Passions and Powers
in Personal and Political Governance
view abstract
|
Unhae Langis |
Volume 44, Issue 1
Spring 2010 |
Corpus Christi "Cycles" in Yorkshire:
The Surviving Records
|
Barbara D. Palmer |
Volume 27, Issue 2
Summer 1993 |
Correcting Some Errors in Annals of O'Neill
|
Louis Sheaffer |
Volume 17, Issue 3
Fall 1983 |
Costume in the Moralities: The
Evidence of East Anglian Art
|
Ann Eljenholm Nichols |
Volume 20, Issue 4
Winter 1986-87 |
Creating Entertainments for Prince Henry’s Creation (1610)
read first paragraph
|
David M. Bergeron |
Volume 42, Issue 4
Winter 2004 |
Criticism and the Films
of Shakespeare's Plays
|
Marvin Felheim |
Volume 9, Issue 2
Summer 1975 |
Critics, Catharsis and Colonus
|
Edward J. Chute |
Volume 5, Issue 4
Winter 1971-72 |
Crommelynck's Farcical and
Mythmaking Expressionism
|
Bettina Knapp |
Volume 10, Issue 4
Winter 1976-77 |
The Croxton Play of the Sacrament:
A Re-Reading
|
Ann Eljenholm Nichols |
Volume 22, Issue 2
Summer 1988 |
A Cultural Dependence: The Social
Context of The London Merchant
|
Jones DeRitter |
Volume 21, Issue 4
Winter 1987-88 |
Curing Oneself of the Work of Time:
W. B. Yeats's Purgatory
|
Natalie Crohn Schmitt |
Volume 7, Issue 4
Winter 1973-74 |