C

Essay Author Location
Can We Define the Nature of
Shakespearean Tragedy?

Robert Ornstein Volume 19, Issue 3
Fall 1985
Cancer and the Common Woman
in Margaret Edson's W;t
read first paragraph

Jacqueline Vanhoutte Volume 36, Issue 3,4
Fall/Winter 2002-03

Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English
Drama"

Richard Bevis Volume 31, Issue 1
Spring 1997
Canvas Walls and Cardboard Fortresses: Representatives of Place in the National
Historical Dramas of Early
Nineteenth-Century France

Barbara T. Cooper Volume 17, Issue 4
Winter 1983-84
"The care . . . of subjects' good":
Pericles, James I, and the Neglect
of Good Government

Stuart M. Kurland Volume 30, Issue 2
Summer 1996
Caribbean Caliban: Shifting
the "I" of the Storm

James E. Robinson Volume 33, Issue 4
Winter 1999-2000
A Catalan Corpus Christi Play: The
Martyrdom of St. Sebastian with the
Hobby Horses and the Turks

Max Harris Volume 31, Issue 2
Summer 1997
Castrati, Balzac, and BartheS/Z


Yvonne Noble Volume 31, Issue 1
Spring 1997
Cathedral Chapter and Town Council:
Cooperative Ceremony and Drama in
Medieval Rouen

Thomas P. Campbell Volume 27, Issue 1
Spring 1993
Cecchi and the Reconciliation
of Theatrical Traditions

Douglas Radcliff-Umstead Volume 9, Issue 2
Summer 1975
Celebrating Idleness: Antony and Cleopatra
and Play Theory
view abstract

Abigail Scherer Volume 44, Issue 3
Fall 2010
Centlivre v. Hardwicke: Susannah
Centlivre's Plays and the Marriage
Act of 1753

Margo Collins Volume 33, Issue 2
Summer 1999
The Changeling: Notes on
Mannerism in Dramatic Form

Raymond J. Pentzell Volume 9, Issue 1
Spring 1975
The Changing Faces of Love in
English Renaissance Comedy

Ejner J. Jensen Volume 6, Issue 4
Winter 1972-73
Chavittunātakam: Music-Drama
in Kerala
read first paragraph


Joly Puthussery Volume 37, Issue 3,4
Fall/Winter 2003-04

Chekhov and Naturalism: From
Affinity to Devergence

Nicholas Moravcevich Volume 4, Issue 4
Winter 1970-71
Chekhov in Ireland: Brief Notes
on Friel's Philadelphia

James Coakley Volume 7, Issue 3
Fall 1973
Children's Troupes: Dramatic Illusion
and Acting Style

Michael Shapiro Volume 3, Issue 1
Spring 1969
Chinese Ethnicity and the American
Heroic Artisan  in Henry Grimm’s
The Chinese Must Go
(1879)
view abstract

Hsin-yun Ou Volume 44, Issue 1 
Spring 2010
Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh
view abstract

Min Tian Volume 37, Issue 3,4
Fall/Winter 2003-04
"Christicolae," Prudentius, and the
Quem Quaeritis Easter Dialogue

Robert E. Jungman Volume 12, Issue 4
Winter 1978-79
The Christos Paschon and
the Byzantine Theater

Sandro Sticca Volume 8, Issue 1
Spring 1974
Cibber and Vanbrugh: Language, Place,
and Social Order in Love's Last Shift

Derek Hughes Volume 20, Issue 4
Winter 1986-87
The Classical Treatment of Don
Juan in Tirso, Molière, and Mozart:
What Cultural Work Does It Perform?

J. Douglas Canfield Volume 31, Issue 1
Spring 1997
The Classicism of Robert Lowell's Phaedra


Jerome Mazzaro Volume 7, Issue 2
Summer 1973
"Cockes face" and the Problem of
poydrace in the Chester Passion

Lorrayne Y. Baird Volume 16, Issue 3
Fall 1982
Code-Switching in Medieval English Drama


Hans-Jürgen Diller Volume 31, Issue 4
Winter 1997-98
Comedia and Trauerspiel: On Benjamin
and Calderón

Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
Comedic and Liturgical Restorations
in Everyman

John Cunningham Volume 22, Issue 2
Summer 1988
Comedy and Control: Shakespeare
and the Plautine Poeta

Douglas Bruster Volume 24, Issue 3
Fall 1990
"All Comes Clear at Last,"
but "the Readiness is All"

Thomas B. Stroup Volume 10, Issue 1
Spring 1976
Comic Eschatology in the Chester
Coming of Antichrist

Leslie Howard Martin Volume 5, Issue 3
Fall 1971
The Comic Ethos of Il Principe
view abstract

Angus Fletcher Volume 43, Issue 3
Fall 2009
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract

Rita Banerjee Volume 40, Issue 1
Spring 2006
The Community of Morality Plays Merle Fifield Volume 9, Issue 4
Winter 1975-76

Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract

Robert Henke Volume 41, Issue 2
Summer 2007
Confraternities and Carnival: The Context
of Lorenzo de' Medici's Rappresentazione
di Giovanni e Paolo


Konrad Eisenbichler Volume 27, Issue 1
Spring 1993
The Confusions of Gallathea:
John Lyly as a Popular Dramatist

Kent Cartwright Volume 32, Issue 2
Summer 1998
Contemporary Contexts of Jonson's
The Devil is an Ass


Robert C. Evans Volume 26, Issue 2
Summer 1992
A Contemporary View of
The Duchess of Malfi

Louis D. Giannetti Volume 3, Issue 4
Winter 1969-70
Continuity in the Art of Dying:
The Duchess of Malfi

Bettie Anne Doebler Volume 14, Issue 3
Fall 1980
Coriolanus: History and the Crisis
of Semantic Order

Leonard Tennenhouse Volume 10, Issue 4
Winter 1976-77
Coriolanus: Inordinate Passions and Powers
in Personal and Political Governance
view abstract

Unhae Langis Volume 44, Issue 1 
Spring 2010
Corpus Christi "Cycles" in Yorkshire:
The Surviving Records

Barbara D. Palmer Volume 27, Issue 2
Summer 1993
Correcting Some Errors in Annals of O'Neill


Louis Sheaffer Volume 17, Issue 3
Fall 1983
Costume in the Moralities: The
Evidence of East Anglian Art

Ann Eljenholm Nichols Volume 20, Issue 4
Winter 1986-87
Creating Entertainments for Prince Henry’s Creation (1610)
read first paragraph

David M. Bergeron Volume 42, Issue 4
Winter 2004
Criticism and the Films
of Shakespeare's Plays

Marvin Felheim Volume 9, Issue 2
Summer 1975
Critics, Catharsis and Colonus


Edward J. Chute Volume 5, Issue 4
Winter 1971-72
Crommelynck's Farcical and
Mythmaking Expressionism

Bettina Knapp Volume 10, Issue 4
Winter 1976-77
The Croxton Play of the Sacrament:
A Re-Reading

Ann Eljenholm Nichols Volume 22, Issue 2
Summer 1988
A Cultural Dependence: The Social
Context of The London Merchant

Jones DeRitter Volume 21, Issue 4
Winter 1987-88
Curing Oneself of the Work of Time:
W. B. Yeats's Purgatory

Natalie Crohn Schmitt Volume 7, Issue 4
Winter 1973-74

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