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| Essay | Author | Location |
| Kabuki Today and Tomorrow |
Leonard C. Pronko | Volume 6, Issue 2, Summer 1972 |
| Katherine Philips as Political Playwright: “The Songs Between the Acts” in Pompey view abstract |
Anne Russell | Volume 44, Issue 3 Fall 2010 |
| Killed by Words: Grotesque Verbal Violence and Tragic Atonement in French Passion Plays |
Véronique Plesch | Volume 33, Issue 1, Spring 1999 |
| The King and the Physician's Daughter: All's Well That Ends Well and the Late Romances |
Richard P. Wheeler | Volume 8, Issue 4, Winter 1974-75 |
| King Hamlet's Two Successors |
Cherrell Guilfoyle | Volume 15, Issue 2, Summer 1981 |
| ‘The Kingdom of Heaven within Us’: Inner (World) Peace in Gilbert Murray’s Trojan Women view abstract |
Simon Perris | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| The King's Play: Censorship and the Politics of Performance in Molière's Tartuffe |
Michael Spingler | Volume 19, Issue 3, Fall 1985 |
| Korean Shamanist Theater and Drama |
Daniel A. Kister | Volume 17, Issue 2, Summer 1983 |
| Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto |
Yoko Chiba | Volume 30, Issue 4, Winter 1996-97 |
| Krapp's Last Tape and Critical Theory |
SueEllen Campbell | Volume 12, Issue 3, Fall 1978 |
| Kuravanji Nattiya Nadagam: A Dance Drama from Madras State |
Edwina Ranganathan | Volume 4, Issue 2, Summer 1970 |
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