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| Essay | Author | Location |
| Painted Women: Annunciation Motifs in Hamlet |
R. Chris Hassel, Jr. | Volume 32, Issue 1 Spring 1998 |
| A Palimpset for Olivier's Hamlet |
Bernice W. Kliman | Volume 17, Issue 3 Fall 1983 |
| The Paradoxes of Slavery in Thomas Southerne’s Oroonoko view abstract |
Diana Jaher | Volume 42, Issue 1 Spring 2008 |
| Paterian Aesthetics in Yeats' Drama |
F. C. McGrath | Volume 13, Issue 1 Spring 1979 |
| "Peace" and "Unbar the Door": T. S. Eliot's Murder in the Cathedral and Some Stoic Forebears |
Edna G. Sharoni | Volume 6, Issue 2 Summer 1972 |
| Peking Opera before the Twentieth Century |
Colin Mackerras | Volume 28, Issue 1 Spring 1994 |
| Perceiving Rockaby—As a Text, As a Text by Samuel Beckett, As a Text for Performance |
Charles R. Lyons | Volume 16, Issue 4 Winter 1982-83 |
| Percy MacKaye: Community Drama and the Masque Tradition |
D. Heyward Brock and James M. Welsh |
Volume 6, Issue 1 Spring 1972 |
| Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579 view abstract |
Karlyn Griffith | Volume 45, Issue 2 Summer 2011 |
| Performers and Performances in the Earliest Serious Secular Plays in the Netherlands |
Willem M. H. Hummelen | Volume 26, Issue 1 Spring 1992 |
| Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew read first paragraph |
Amy L. Smith | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| Performing the West Indies: Comedy, Feeling, and British Identity view abstract |
Jean Marsden | Volume 42, Issue 1 Spring 2008 |
| Pericles, Paul, and Protestantism view abstract |
Richard Finkelstein | Volume 44, Issue 2 Summer 2010 |
| Peter Handke's The Ride Across Lake Constance: The Illusion of Self-Sufficiency |
June Schlueter | Volume 11, Issue 2 Summer 1977 |
| Peter Shaffer's Continued Quest for God in Amadeus |
Daniel R. Jones | Volume 21, Issue 2 Summer 1987 |
| Pilgrims and Prostitutes: Costume and Individualism in Twelfth-Century Liturgical Drama view abstract |
Andrew J. Gibb | Volume 42, Issue 3 Fall 2008 |
| Pinter's The Homecoming: Displacing and Repeating Ibsen |
Thomas Postlewait | Volume 15, Issue 3 Fall 1981 |
| Pirandello, the Sacred, and the Death of Tragedy |
Nina daVinci Nichols | Volume 32, Issue 2 Summer 1998 |
| Pirandello's Sei Personaggi and Expressive Form |
Jerome Mazzaro | Volume 30, Issue 4 Winter 1996-97 |
| Placing Shaffer's Lettice and Lovage in Perspective |
C. J. Gianakaris | Volume 22, Issue 2 Summer 1988 |
| Play and Passion in The Man of Mode |
Derek Hughes | Volume 15, Issue 3 Fall 1981 |
| Play and Pirandello's Il giuoco delle parti |
Jerome Mazzaro | Volume 27, Issue 4 Winter 1993-94 |
| Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy view abstract |
Bert Cardullo | Volume 45, Issue 3 Fall 2011 |
| The Play of the Surface: Theater and The Turn of the Screw view abstract |
Frances Babbage | Volume 39, Issue 2 Summer 2005 |
| The Play of Wisdom and the Abbey of St. Edmund |
Gail McMurray Gibson | Volume 19, Issue 2 Summer 1985 |
| Play Strindberg and the Theater of Adaptation |
Enoch Brater | Volume 16, Issue 1 Spring 1982 |
| The Player As Director: An Approach to Character |
Leonard R. Mendelsohn | Volume 6, Issue 2 Summer 1972 |
| The Player's Eye: Shakespeare on Television |
William B. Worthen | Volume 18, Issue 3 Fall 1984 |
| Playing for Time (and Playing with Time) in Tom Stoppard's Arcadia read first paragraph |
Enoch Brater | Volume 39, Issue 2 Summer 2005 |
| The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw |
Arthur Ganz | Volume 13, Issue 3 Fall 1979 |
| A Playwright Looks at Mozart: Peter Shaffer's Amadeus |
C. J. Gianakaris | Volume 15, Issue 1 Spring 1981 |
| Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage |
Brian Richardson | Volume 22, Issue 3 Fall 1988 |
| Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp view abstract |
Adrienne Scullion | Volume 38, Issue 2,3 Summer/Fall 2004 |
| Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke view abstract |
Claire Jowitt | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| The Political Significance of the Theatre |
Willy Brandt (trans. Walter S. G. Kohn) |
Volume 7, Issue 3 Fall 1973 |
| The Politics of Adapting Behn's Oroonoko read first paragraph |
Anne F. Widmayer | Volume 37, Issue 2 Summer 2003 |
| The Politics of Rhetoric: The 1561 Antwerp Landjuweel |
John Cartwright | Volume 27, Issue 1 Spring 1993 |
| The Politics of Ritual in Wole Soyinka's The Bacchae of Euripides |
Robert Baker-White | Volume 27, Issue 3 Fall 1993 |
| The Popular Theater of Samuel Foote and British National Identity |
Susan Lamb | Volume 30, Issue 2 Summer 1996 |
| Portrayals of the Vita Christi in the Medieval German Marienklage: Signs of Franciscan Exegesis and Rhetoricin Drama and Music view abstract |
Peter Loewen | Volume 42, Issue 3 Fall 2008 |
| Positional Symbolism and English Medieval Drama |
Clifford Davidson | Volume 25, Issue 1 Spring 1991 |
| Predestination and the Heresy of Merit in Othello |
Maurice Hunt | Volume 30, Issue 3 Fall 1996 |
| A Previously Unknown Ordo Prophetarum in a Manuscript Fragment in Zagreb |
Clyde Jr. Brockett | Volume 27, Issue 1 Spring 1993 |
| The Problem of the Bienseances in Voltaire's Oreste |
Marcus Allen | Volume 5, Issue 2 Summer 1971 |
| Profane Icon: The Throne Scene of Shakespeare's Richard III |
Peggy Endel | Volume 20, Issue 2 Summer 1986 |
| Prolegomenon for a Theory of Drama Reception: Peter Brook's Measure for Measure and the Emergent Bourgeoisie |
Wolfgang Sohlich | Volume 18, Issue 1 Spring 1984 |
| Prometheus Bound: Robert Lowell and Aeschylus |
Jerome Mazzaro | Volume 7, Issue 4 Winter 1973-74 |
| Prophetic "Play" and Symbolist "Plot" in the Beauvais Daniel |
Jerome Taylor | Volume 11, Issue 3 Fall 1977 |
| A Proposal for a Theater Museum: Staging the Fragments of Greek and Roman Drama |
Timothy Richard Wutrich | Volume 29, Issue 4 Winter 1995-96 |
| The Protean Prince Hal |
Matthew H. Wikander | Volume 26, Issue 4 Winter 1992-93 |
| Psychological Aspects of the Expression of Anger and Violence on the Stage |
Vladimir J. Konečni | Volume 25, Issue 3 Fall 1991 |
| Puppets Dallying: Thoughts on Shakespearean Theatricality view abstract |
Kenneth Gross | Volume 41, Issue 3 Fall 2007 |
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