I
Subject/Essay Author Location
Ibsen, Henrik    
An Enemy of the People: Ibsen's
Reluctant Comedy


Harold C. Knutson Volume 27, Issue 2
Summer 1993
An Enemy of the People: A Key to
Arthur Miller's Art and Ethics


David Bronson Volume 2, Issue 4
Winter 1968-69
Antony and Cleopatra and Romersholm:
"Third Empire" Love Tragedies


Errol Durbach Volume 20, Issue 1
Spring 1986
The Demons of John Gabriel Borkman Brian Johnston Volume 13, Issue 1
Spring 1979
"Diverse Galskaber" in Ibsen's
The Wild Duck


 Brian Johnston Volume 30, Issue 1
Spring 1996
The Ending of A Doll House and
Augier's Maître Guérin 		Thomas F. Van Laan Volume 17, Issue 4
Winter 1983-84
Generic Complexity in Ibsen's
An Enemy of the People 		Thomas F. Van Laan Volume 20, Issue 2
Summer 1986
Hedda and Bailu: Portraits of
Two "Bored" Women
view 1st paragraph


 Chengzhou He Volume 35, Issue 3,4
Fall/Winter 2001-02 
"Hilda, Harnessed to a Purpose": Elizabeth
Robins, Ibsen, and the Vote
view abstract

Maroula Joannou  Volume 44, Issue 2
Summer 2010 
Ibsen and Albee's Spurious Children Terry Otten Volume 2, Issue 2
Summer 1968
The Lacanian Imaginary in Ibsen's
Pillars of Society and The Wild Duck 		Oliver W. Gerland III Volume 24, Issue 4
Winter 1990-91
Myth and Neurosis in Ibsen's
Mature Plays 		Margot Norris Volume 10, Issue 1
Spring 1976
The Mythic Foundation of Ibsen's Realism Brian Johnston Volume 3, Issue 1
Spring 1969

Mythic Structure in Hedda Gabler:
The Mask Behind the Face 		Elinor Fuchs Volume 19, Issue 3
Fall 1985

Nietzsche, Georg Brandes, and Ibsen's
Master Builder 		Michael W. Kaufman Volume 6, Issue 3
Fall 1972

Pinter's The Homecoming: Displacing
and Repeating Ibsen 		Thomas Postlewait Volume 15, Issue 3
Fall 1981
Play Doctor, Doctor Death: Shaw,
Ibsen, and Modern Tragedy
view abstract


 Bert Cardullo Volume 45, Issue 3
Recasting A Doll House: Narcissim As
Character Motivation in Ibsen's Play 		Carol Strongin Tufts Volume 20, Issue 2
Summer 1986
Rhyme and Reason in Ibsen's Norma Samuel G. McLellan Volume 14, Issue 4
Winter 1980-81
Three Stages of A Doll House Brian Johnston Volume 25, Issue 4
Winter 1991-92
Trolls, Trills, and Tofu:
Ibsen, Verdi, and Kabuki		 Leonard C. Pronko Volume 29, Issue 3
Fall 1995
Trolls in Ibsen's Late Plays Stephen S. Stanton Volume 32, Issue 4
Winter 1998-99
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The Iceman Cometh    
The Iceman Cometh and the
Anatomy of Alcoholism 		Thomas B. Gilmore Volume 18, Issue 4
Winter 1984-85
O'Neill and the Wobblies:
The IWW as a Model for Failure
in The Iceman Cometh
view abstract

 Lawrence Dugan Volume 36, Issue 1,2
Spring/Summer 2002
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Iconography    
Devotional Iconography in the N-Town
Marian Plays 		Theresa Coletti Volume 11, Issue 1
Spring 1977
Iconography and Characterization in
English Tragedy 1585-1642


 Huston Diehl Volume 12, Issue 2
Summer1978
Iconography and the Montecassino
Passion		 Robert R. Edwards Volume 6, Issue 4
Winter 1972-73
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay		 Cecile Williamson Cary Volume 13, Issue 2
Summer 1979
The Iconography of Herod in the Fleury
Playbook and the Visual Arts 		Miriam Anne Skey Volume 17, Issue 1
Spring 1983
On the Uses of Iconographic Study:
The Example of the Sponsus From
St. Martial of Limoges   		Clifford Davidson Volume 13, Issue 4
Winter 1979-80
Spring and Winter in Love's Labour's
Lost: An Iconographic Reconstruction


Frederick Kiefer Volume 29, Issue 1
Spiring 1995
When Troy Fell: Shakespeare's
Iconography of Sorrow and Survival		 John Doebler Volume 19, Issue 4
Winter 1985-86
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Idea of the Theater    
Giulio Camillo's Idea of the Theater:
The Enigma of the Renaissance		 Albert R. Cirillo Volume 1, Issue1
Spring 1967
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Il giuoco delle parti    
Play and Pirandello's Il giuoco delle parti Jerome Mazzaro Volume 27, Issue 4
Winter 1993-94
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Il Principe    
The Comic Ethos of Il Principe
view abstract 		Angus Fletcher Volume 43, Issue 3
Fall 2009
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In the Blood    
Staging a New Literary History:
Suzan-Lori Parks’s Venus, In the Blood,
and Fucking A
view abstract

Carol Schafer Volume 42, Issue 2
Summer 2008
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L'Incoronazione di Poppea    
Love and Infamy: The Paradox of
Monteverdi's L'Incoronazione di Poppea

 Edward B. Savage Volume 4, Issue 3
Fall 1970
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Indian Drama    
An Ocean of Possibilities: From
Lokadharmī to Nātyadharmī in
a Kathakali Santānagōpālam


Phillip B. Zarrilli Volume 28, Issue 1
Spring 1994
Indian and Greek Drama: Two Definitions Darius L. Swann Volume 3, Issue 2
Summer 1969
Kuravanji Nattiya Nadagam:
A Dance Drama from Madras State 		Edwina Ranganathan Volume 4, Issue 2 Summer 1970

Rethinking Indian Influence in Javanese
Shadow Theater Traditions 		Laurie J. Sears Volume 28, Issue 1
Spring 1994
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Inkle and Yarico    
Performing the West Indies: Comedy,
Feeling, and British Identity
view abstract
 Jean Marsden Volume 42, Issue 1
Spring 2008
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The Innocents    
The Play of the Surface: Theater and
The Turn of the Screw
view abstract 		Frances Babbage Volume 39, Issue 2
Summer 2005
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Ionesco, Eugene    
The Death of Representation and the
Representation of Death: Ionesco, Beckett,
and Stoppard
view abstract

 Zoran Milutinović Volume 40, Issue 3
Fall 2006
Sounding Ionesco: Problems in Translating
La Leçon and Jacques ou La Soumission 		Richard Takvorian
and Michael Spingler 		Volume 17, Issue 1
Spring 1983
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Ireland, William    
An Interlude or Mystery Play by
William Ireland, 1795 		J. W. Robinson Volume 13, Issue 3
Fall 1979
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Irish Drama    
Chekhov in Ireland: Brief Notes on
Friel's Philadelphia		 James Coakley Volume 7, Issue 3
Fall 1973
Edmund Eyer's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Volume 40, Issue 2
Summer 2006
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

 Richard Russell Volume 40, Issue 2
Summer 2006
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Isidore of Seville    
Isidore and the Theater Joseph R. Jones Volume 16, Issue 1
Spring 1982
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The Island    
Sophocles in South Africa:
Athol Fugard's The Island 		Errol Durbach Volume 18, Issue 3
Fall 1984

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