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| Subject/Essay | Author | Location |
| Kabuki | ||
| "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays read first paragraph |
Zvika Serper | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters |
Samuel L. Leiter | Volume 33, Issue 4 Winter 1999-2000 |
| Kabuki Today and Tomorrow | Leonard C. Pronko | Volume 6, Issue 2 Summer 1972 |
| Trolls, Trills, and Tofu: Ibsen, Verdi, and Kabuki |
Leonard C. Pronko | Volume 29, Issue 3 Fall 1995 |
| _________________________________________________________________________________ | ||
| Kallmann, Chester | ||
| The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers |
Marc A. Roth | Volume 13, Issue 2 Summer 1979 |
| _________________________________________________________________________________ | ||
| Kane, Sarah | ||
| "In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted read first paragraph |
Christopher Wixson | Volume 39, Issue 1 Spring 2005 |
| _________________________________________________________________________________ | ||
| Kazantzakis, Nikos | ||
| Buddha, Kazantzakis' Most Ambitious and Most Neglected Play |
Peter Bien | Volume 11, Issue 3 Fall 1977 |
| _________________________________________________________________________________ | ||
| Keep the Widow Waking | ||
| Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking |
Charles R. Forker | Volume 8, Issue 2 Summer 1974 |
| _________________________________________________________________________________ | ||
| Kindermord | ||
| Some Variations of Kindermord as Dramatic Archetype |
Charles R. Lyons | Volume 1, Issue 1 Spring 1967 |
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| The King Is the King | ||
| Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is the King |
Aleya A. Said | Volume 32, Issue 3 Fall 1998 |
| _________________________________________________________________________________ | ||
| King Leir | ||
| Leir and Lear: Matthew 5:33-37, the Turning Point and the Rescue Theme |
James H. Jones | Volume 4, Issue 2 Summer 1970 |
| _________________________________________________________________________________ | ||
| Kokoschka, Oskar | ||
| Oskar Kokoschka's Phantamagorical Vision: The Book of Job Transmogrified |
Jacques-Léon Rose | Volume 5, Issue 2 Summer 1971 |
| _________________________________________________________________________________ | ||
| Korčula Moreška | ||
| Blackened Faces and a Veiled Woman: The Early Korčula Moreška view abstract |
Max Harris and Lada Čale Feldman |
Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| _________________________________________________________________________________ | ||
| Korean Drama | ||
| Korean Shamanist Theater and Drama | Daniel A. Kister, S. J. | Volume 17, Issue 2 Summer 1983 |
| Medieval Korean Drama: The Pongsan Mask Dance view abstract |
Dongchoon Lee | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| _________________________________________________________________________________ | ||
| Kozintsev, Grigori | ||
| "The Mirror up to Nature": Notes on Kozintsev's Hamlet |
Barbara Hodgdon | Volume 9, Issue 4 Winter 1975-76 |
| _________________________________________________________________________________ | ||
| Krapp's Last Tape | ||
Krapp's Last Tape and Critical Theory |
SueEllen Campbell | Volume 12, Issue 3 Fall 1978 |
| _________________________________________________________________________________ | ||
| Kuravanji Nattiya Nadagam | ||
| Kuravanji Nattiya Nadagam: A Dance Drama from Madras State |
Edwina Ranganathan | Volume 4, Issue 2 Summer 1970 |
| _________________________________________________________________________________ | ||
| Kyd, Thomas | ||
| Absorbing Interests: Kyd's Bloody Handkerchief as Palimpsest view abstract |
Andrew Sofer | Volume 34, Issue 2 Summer 2000 |
| The Role of "Senex" in Kyd's The Spanish Tragedy |
Joost Daalder | Volume 20, Issue 3 Fall 1986 |
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