| Volume 44, Issue 3 / Volume 45, Issue 1, Winter 2010 / Spring 2011 Translation, Performance, and Reception of Greek Drama, 1900-1960: International Dialogues Amanda Wrigley, Guest Editor Essays |
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| Greek Drama in the First Six Decades of the Twentieth Century: Tradition, Identity, Migration read first paragraph |
Amanda Wrigley |
| Toward a National Heterotopia: Ancient Theaters and the Cultural Politics of Performing Ancient Drama in Modern Greece view abstract |
Eleftheria Ioannidou |
| Oedipus, Shmedipus: Ancient Greek Drama on the Yiddish Stage view abstract |
Debra Caplan |
| ‘The Kingdom of Heaven within Us’: Inner (World) Peace in Gilbert Murray’s Trojan Women view abstract |
Simon Perris |
| Touring the Ivies with Iphigenia, 1915 view abstract |
Niall W. Slater |
| Is Mr Euripides a Communist? The Federal Theatre Project’s 1938 Trojan Incident view abstract |
Robert Davis |
| Oedipus and Afrikaans Theater view abstract |
Betine Van Zyl Smit |
| "Now the struggle is for all!" (Aeschylus's Persians 405): What a Difference a Few Years Make When Interpreting a Classic view abstract |
Gonda Van Steen |
| Oedipus, Suez, and Hungary: T. S. Eliot’s Tradition and The Elder Statesman view abstract |
Michael Simpson |
| Research Notes | |
| African-American Classicist William Sanders Scarborough and the 1921 Film of the Orestia at Cambridge University |
Michele Valerie Ronnick |
| Alberto Savinio’s Alcesti di Samuele in the Aftermath of the Second World War |
Giulia Torello |
| Politics, War, and Adaptation: Ewan MacColl’s Operation Olive Branch, 1947 |
Claire Warden |
| Aristophanes and Douglas Young |
C. W. Marshall |
| Afterword | Lorna Hardwick |
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