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| Subject/Essay | Author | Location |
| Yeats, Jack | ||
| Symbols, Signs, and Language: The Brothers Yeats and Samuel Beckett's Art of the Theater |
Gordon Armstrong | Volume 20, Issue 1 Spring 1986 |
| _________________________________________________________________________________ | ||
| Yeats, William Butler | ||
| At the Hawk's Well: Yeats's Unresolved Conflict Between Language and Silence |
Edna G. Sharoni | Volume 7, Issue 2 Summer 1973 |
| Curing Oneself of the Work of Time: W. B. Yeats's Purgatory |
Natalie Crohn Schmitt | Volume 7, Issue 4 Winter 1973-74 |
| The Daughters of Herodias in Hérodiade, Salomé, and A Full Moon in March |
Marilyn Gaddis Rose | Volume 1, Issue 3 Fall 1967 |
| Ecstasy and Peak-Experience: W. B. Yeats, Marghanita Laski, and Abraham Maslow |
Natalie Crohn Schmitt | Volume 28, Issue 2 Summer 1994 |
| "Haunted by Places": Landscape in Three Plays by W. B. Yeats |
Natalie Crohn Schmitt | Volume 31, Issue 3 Fall 1997 |
| Paterian Aesthetics in Yeats's Drama | F. C. McGrath | Volume 13, Issue 1 Spring 1979 |
| Symbols, Signs, and Language: The Brothers Yeats and Samuel Beckett's Art of the Theater |
Gordon Armstrong | Volume 20, Issue 1 Spring 1986 |
| _________________________________________________________________________________ | ||
| Yeo, Robert | ||
| Maturation and Political Upheaval in Lloyd Fernando's Scorpion Orchid and Robert Yeo's The Singapore Trilogy read first paragraph |
Catherine Diamond | Volume 36, Issue 1,2 Spring/Summer 2002 |
| _________________________________________________________________________________ | ||
| Yerma, The Player Queen | ||
| "Body's Image": Yerma, The Player Queen, and the Upright Posture |
Murray Baumgarten | Volume 8, Issue 3 Fall 1974 |
| _________________________________________________________________________________ | ||
| Yonadab | ||
| Yonadab: Peter Shaffer's Earlier Dramas Revisited in the Court of King David |
Dennis A. Klein | Volume 22, Issue 1 Spring 1988 |
| _________________________________________________________________________________ | ||
| The York Plays | ||
| But owthir in frith or felde: The Rural in the York Cycle read first paragraph |
Chester Scoville | Volume 37, Issue 2 Summer 2003 |
| Lay Performances of Work and Salvation in the York Cycle view abstract |
Andreea Boboc | Volume 43, Issue 2 Summer 2009 |
| Visible Words: The York Plays, Brecht, and Gestic Writing |
Garrett P. J. Epp | Volume 24, Issue 4 Winter 1990-91 |
| “Whom Seek Ye, Sirs?”: The Logic of Searching in the York Herod and the Magi view abstract |
Nicole R. Rice | Volume 31, Issue 1 Spring 2009 |
| _________________________________________________________________________________ | ||
| Yu, Cao | ||
| Hedda and Bailu: Portraits of Two "Bored" Women |
Chengzhou He | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| _________________________________________________________________________________ | ||
| Yu, Ts'ao | ||
| Ts'ao Yu: Dramatist in Communist China | Walter J. Meserve and Ruth I. Meserve |
Volume 2, Issue 2 Summer 1968 |
| _________________________________________________________________________________ | ||
| Yuan Drama | ||
| Stage Directions in the Performance of Yuan Drama view abstract |
Min Tian | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
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