Comparative Drama Volume 46 • Spring 2012 • No. 1
This volume will contain the following contributions: |
| Essays |
| To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling |
James Duban
|
| Lukács/Ibsen: Tragedy, Selfhood, and ‘Real Life’ in The Master Builder and When We Dead Awaken |
William Storm
|
| “I just die for some authority!: Barriers to Utopia in Howard Brenton’s Greenland |
Siân Adiseshiah
|
| “Where’s my Fool?” Lear Motifs in Rigoletto |
Barbara Barry
|
| |
| Reviews |
Women and Revenge in Shakespeare: Gender, Genre, and Ethics
by Marguerite A. Tassi |
reviewed by Max Harris
|
Susan Glaspell: The Complete Plays
Linda Ben-Zvi and J. Ellen Gainor, eds. |
reviewed by Cheryl Black
|
The Sarah Siddons Audio Files: Romanticism and the Lost Voice
by Judith Pascoe |
reviewed by Amy Muse
|
Shakespeare and the Grammar of Forgiveness
by Sarah Beckwith |
reviewed by Jan van Dijkhuizen
|
Shakespeare’s Great Stage of Fools
by Robert H. Bell
|
reviewed by Robert Hornback |
The Political Theatre of David Edgar: Negotiation and Retrieval
by Janelle Reinelt and Gerald Hewitt |
reviewed by Yoo Kim
|
Manly Mechanicals on the Early Modern English Stage
by Ronda Arab |
reviewed by Jennifer Low
|
| |
