| Volume 4, Issue 1, Spring 1970 |
|
| Three Times Godot: Beckett, Brecht, Bulatovic |
Clas Zilliacus |
| Shakespeare's Julius Caesar: An Apollonian and Comparative Reading |
R. J. Kauffmann and Clifford J. Ronan |
| "When were the Senses in such order plac'd?" |
John P. Cutts |
| Truth and Theater |
Auréliu Weiss |
| Volume 4, Issue 2, Summer 1970 |
|
| Who's Holding the Mirror? |
Irving Kreutz |
| Drummond of Hawthornden: The Season at Bourges, 1607 |
Robert H. MacDonald |
| Kuravanji Nattiya Nadagam: A Dance Drama from Madras State |
Edwina Ranganathan |
| The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi" |
John P. Cutts |
| Leir and Lear: Matthew 5:33-37, the Turning Point and the Rescue Theme |
James H. Jones |
| South African Drama in English |
Mervyn Woodrow |
| Volume 4, Issue 3, Fall 1970 |
|
| Albee's Gothic: The Resonances of Cliché |
Paul Witherington |
| The Dramatic Function of the Ministry Group in the Towneley Cycle |
Robert A. Brawer |
| The Idea of a Definitive Production: Chekhov in and out of Period |
J. L. Styan |
| Love and Infamy: The Paradox of Monteverdi's L'Incoronazione di Poppea |
Edward B. Savage |
| Jean Genet and the Psychology of Colonialism |
Anthony Graham-White |
| Volume 4, Issue 4, Winter 1970-71 |
|
| Chekhov and Naturalism: From Affinity to Divergence |
Nicholas Moravcevich |
| On Recovering the Lost Norwich Corpus Christi Cycle |
Alan H. Nelson |
| Yeats's Use of Axël |
Marilyn Gaddis Rose |
| Some Suggestions about the Relationships between O'Casey and Classical Comedy |
James Coakley and Marvin Felheim |
| The Revista Contemporáneos and the Development of the Mexican Theater |
Edward J. Mullen |
| Frank Wedekind: A German Dramatist of the Absurd? | Robert A. Jones |
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