Comparative Drama Volume 45 • Fall 2011 • No. 3
This volume contains the following contributions: |
| Essays |
| Adapting The Liberal Lover: Mediterranean Commerce, Political Economy, and Theatrical Form under Richelieu |
Ellen R. Welch |
| Why did Steele’s The Lying Lover fail? Or, The Dangers of Sentimentalism in the Comic Reform Scene |
Aparna Gollapudi
|
| "Allow, Accept, Be": Terrence McNally's Engagement with Hindu Spirituality in A Perfect Ganesh |
Raymond-Jean Frontain
|
| Opening The Notebook of Trigorin: An Analysis of Tennessee Williams’s Adaptation of Chekhov’s The Seagull |
Zackary Ross
|
| Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy |
Bert Cardullo
|
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| Reviews |
Deathly Experiments: A Study of Icons and Emblems of Mortality in Christopher Marlowe's Plays
by Clayton G. MacKenzie |
reviewed by Clifford Davidson
|
Shakespeare’s Freedom
by Stephen Greenblatt |
reviewed by Coppélia Kahn
|
French Origins of English Tragedy
by Richard Hillman |
reviewed by Hassan Melehy
|
Shakespeare and His Contemporaries
by Jonathan Hart |
reviewed by Hillaire Kallendorf
|
Pageantry and Power: A Cultural History of the Early Modern Lord Mayor's Show, 1585-1639
by Tracey Hill |
reviewed by Kara Northway
|
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
by Marvin Carlson |
reviewed by Barbara Ellen Logan
|
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