SATURDAY, 21 May 2005
8:00 AM, Registration in Conservatory Lounge
9:00, Introduction and Welcome in Kulas Recital Hall
9:15 - 10:45, Solo Session in Kulas - Rhythm and Meter, Justin London, chair
Rhythmic Strata in Bach's Solo Violin Works - Joti Rockwell (University of Chicago)
Syncopation as Transformation - Daphne Leong (University of Colorado)
Measure for Measure: Re-forming Metric Wellness - David Loberg Code (Western Michigan University)
11:00 - 12:30, Solo Session in Kulas - Form, Tonal Process, and Interpretation, Alan Cadwallader, chair
Brahms and the Disintegrating Dominant - Norman Carey (Eastman School of Music)
Continuous Exposition vs. Two-Part Exposition in the First Movement of Mozart's Piano Concerto in F Major, K. 459 - Eva Sze (CUNY Graduate Center)
What Lies Buried under the Linden Tree? Form, Tonal Process, and Meaning in the
Funeral March of Mahler's First Symphony - Warren Darcy (Oberlin College Conservatory)
12:30 - 2:00 PM, MTMW Executive Board Meeting in Bibbins 325 (boxed lunches provided)
2:15 - 3:15, Concurrent Session in Bibbins 325 - The Perception of Musical Pulse, Candace Brower, chair
Meter and Measuring - Brent T. Yorgason (Indiana University School of Music)
Glenn Gould's Constant Rhythmic Reference Point: Communicating Pulse in Bach's "Goldberg Variations," 1955 and 1981 - Peter A. Martens (University of Chicago)
2:15 - 3:15, Concurrent Session in Bibbins 326 - Pedagogy
Music Scrambles and Tonal Form - Alan Gosman (Michigan State University)
Harmonic Dictation Exercises for Use in Extended Tonal and Atonal Music Theory Curricula - Mark Sallmen (University of Toronto)
3:30 - 5:00, Solo Session in Kulas - Neo- Riemannian Theory
When Chromaticism and Diatonicism Collide: A Fusion of Neo-Riemannian and Tonal Analysis
Applied to Wagner's Motives - Graham Gregory Hunt (University of Texas at Arlington)
Through the Looking Glass: Triads and Seventh Chords in Two-Dimensional Pitch Space -
Steven D. Thompson (University of Kentucky)
Musical Equivalency of Alphabetical Order in Torke's Telephone Book -
Stuart Thomas Deaver (The University of Kansas)
5:30, MTMW Banquet at the Oberlin Inn
Evening Activities:
Carlisle Reservation (5 miles from campus), a nature preserve featuring meadows, forests and wetlands
Enjoy $3 movies at Oberlin's historic movie theater.
There may be informal student performances TBA
Cleveland Orchestra performing pieces by Botti, Rachmaninoff, and Bartok, 45-50 minute drive to
Severance Hall. 8 PM. For tickets, call (216) 2311-1111 or visit www.clevelandorchestra.com.
SUNDAY, 22 May 2005
8:00 AM, Graduate Student Breakfast at the Home of Deborah Rifkin, 25 Locust Street
9:00 - 10:30, Concurrent Session in Bibbins 325 - Musical Narrative, Ron Rodman, chair
Mozart's Ladies in Don Giovanni: Layering, Narrative, and Symbolism -
Roger M. Grant (Ithaca College)
Narrative Codes and Voice-leading Strategies in Brahms's Intermezzo in E Major, Op. 116, No. 6 -
Melissa Emily Hoag (Indiana University School of Music)
Aligning Media: Multimodal Gestures and Agency in Film Analysis -
Joerg Adler (Indiana University School of Music)
9:00 - 10:30, Concurrent Session in Bibbins 326 - Transformational Theory, Jay Hook, chair
Variations on a Sanskrit Metrical Formula -
Anton J. Vishio (University of Buffalo)
The Construction of an Integrated Transformational Network and Its Application to Pop-Rock
Progressions - Scott Baker (University of Southern Mississippi)
Transformational Harmony and Voice-leading in the Canonic Writing of Stravinsky and Webern -
Lawrence Beaumont Shuster (CUNY Graduate Center)
10:45 - 12:15, Solo Session in Kulas - Modernism and Postmodernism,
Rebecca Leydon, chair
Convergent Voices: Berio, Lutoslawski, and Perception -
Ringing Changes in Schoenberg's Klangfarbenmetapher: Music by Schoenberg, Arvo Part and
Brian Eno - Daniel McConnell (University of Wisconsin)
Between Modernism and Postmodernism: A Strand of Continuity -
Catherine Losada (College-Conservatory of Music - University of Cincinnati)
12:30 - 1:45 PM, Aural Skills Roundtable in Bibbins 326 (pre-ordered boxed lunches available)
2:00 - 3:30, Concurrent Session in Bibbins 326 - Compositional Strategies, Gretchen Horlacher, chair
Obrecht's Approach to Five-Voice Composition as an Extension of Regis's Axial-Tenor Model -
Tim S. Pack (Indiana University School of Music)
Sum Squares and Pentagrams: Transformational Tools in the Kit of the Perlean Analyst -
Gretchen Foley (University of Nebraska - Lincoln)
Stravinsky's Array-Pathway Analogues in Context: The Concept of an 'Anasystemic Variation
Procedure' - David Carson Berry (College-Conservatory of Music - University of Cincinnati)
2:00 - 3:00, Concurrent Session in Bibbins 325 - Musical States of Consciousness
Strange, Strange, Hallucination: Hearing Altered States of Musical Consciousness -
Shersten R. Johnson (University of St. Thomas)
The Sweetness of Suffering: Kundry and Christ - Molly Jean McGlone (University of Wisconsin)
3:45 - 4:45, Business Meeting in Kulas
5:00 - 6:00, Keynote Address by Lewis Rowell (Indiana University) in Kulas:
"The Curious Problem of Triple Meter"
Web-manager: David Loberg Code, School of Music,