FRIDAY, MAY 14
9:00-10:00 Stravinsky and Poulenc
Marianne Kielian-Gilbert (Indiana University-Bloomington), Chair
Leslie David Blasius (University of Wisconsin-Madison)
Stravinsky's Ethnography
Eleanor F. Trawick (Ball State University)
Integrating Eclecticism: Harmony in Poulenc's Later Works
10:00-11:00 Time Consciousness in Debussy and Feldman
Candace Brower (Northwestern University), Chair
Gregory J. Marion --
Organizing the Whole: The Role of Time in Debussy's Proses lyriques
11:00-11:15 Break
11:15-12:15 Topics in World and Popular Musics
Walter Everett (University of Michigan-Ann Arbor), Chair
David Loberg Code
Quest for the Pure Voice: Eivind Groven's Renstemt Organ
Paul S. Carter
Assessing 'Slash Chord' Harmony in Jazz-Rock Fusion: Toward a Theoretical Approach
to the Music of Steely Dan
12:15-1:30 Lunch (Executive Committee Meeting)
1:30-2:30//2:45-3:45 Motive, Harmony, Voice-Leading, and Sequence in Post-tonal Music
Richard Cohn (University of Chicago), Chair
Matthew Santa
Modular Sets and Modular Set Types
Art Samplaski
Root Space: Suggestions for a Psychoacoustically-Based Theory of Harmony for Post-
Tonal Music
Philip Stoecker
Axial Isography as an Extension of Klumpenhouwer Networks
Michael Buchler
Generalized Scale-Step Sequences in Atonal Music
1:30-4:00 Special Session: Discourse--Genre--Meaning: Explorationsin Music
Karl Braunschweig
Reconciling Music History, Criticism, and Analysis: A Role for Ethnomusicology and Cultural Semiotics
Steven Cahn
Why Then? Why There?: The Emancipation of German-Jewry and
Its Ideological Imprint on Music Theory
Marianne Kielian-Gilbert
The Aesthetic of Autonomy and the Material Transgressions of Music
Jairo Moreno
Imitation and Motivation in Mattheson's Rhetorical Analysis
Carl Wien
Music as Language Revisited: Applying Mikhail Bakhtin's Descriptions of Discourse and Genre
to the Analysis of Music
4:00-4:30 Break
4:30-6:00 Keynote Address
Bruno Nettl
Theory as National Emblem: The Persian Radif in World Music
6:00 Reception (Robertson Hall Lobby and Terrace)
Dinner and Social Time
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SATURDAY, MAY 15
9:00-10:30 Neo-Riemannian Theory
Gregory Proctor (Ohio State University-Columbus), Chair
Nora Engebretsen
Psychological-Aesthetic Foundations and Group-Theoretic Perspectives in Hostinsky's
'Die Lehre von dem musikalischen Klangen'
Julian L. Hook
A Unified Theory of Triadic Transformations
Mike Siciliano
L-P and R-P Cycles as Harmonic Regions in Schubert's E-flat Major Trio, D929
9:00-10:00 Schoenberg and Webern
Gene Biringer (Lawrence University Conservatory of Music), Chair
Michael Cherlin
Dialectical Opposition in Schoenberg's Music and Thought
Wayne Alpern
Will the Real Anton Webern Please Stand Up? Musical Ambiguity in the Postmodern Era
10:30-10:45 Break
10:45-11:45 Topics in Schenkerian Analysis
David Neumeyer (Indiana University-Bloomington), Chair
Frank Samarotto
Hearing Angels: Schenker's Two Organicisms
Andrew C. Davis
Schenekrian Analysis, Post-Tonal Music, and Three Pieces from the Mikrokosmos
12:00-2:00 Luncheon (on-campus)
2:00-3:30 Labels, Models, and Systems
Lawrence Zbikowski (University of Chicago), Chair
Nancy Rogers
What's in a Name? The Effect of Labels on Musical Memory
Candace Brower
Spatial Imagery in Music: Containers, Pathways, and Goals
Deron McGee
Toward Understanding Music as a Complex Adaptive System
2:00-4:30 Interactive Pedagogy Session
John Buccheri and Kevin Holm-Hudson
A New Curriculum
Richard Devore and Ralph Lorenz
Teaching Ear Training Using Medieval and Renaissance Music
Jeffrey L. Gillespie
Melodic Dictation Scoring Methods: An Exploratory Study
Rudy T. Marcozzi
The Myth of Product and the Power of Process: Re-Thinking Activities in the
Undergraduate Theory Classroom
William Marvin
Aural Training for Atonal Music: Materials and Methods
Nico Schuler
Teaching Music Fundamentals for Non-Music-Majors from the View of World Music
4:30-5:30 BusinessMeeting (all MTMW Members are welcome)
6:30 PM Meeting of 1999 Program Committee and MTMW Officers