The title THE HOUSE THAT WILL NOT STAND in white text on a background that features two profiles of a younger and an older woman.

The House That Will Not Stand

By Marcus Gardley

Directed by: Dee Dee Batteast

Lighting Designer: Sulaiman Rahman As-Salaam

Scenic Designer: Dave Nofsinger

Costume Designer: Kathryn Wagner

Sound Designer: Landen Yocum

Stage Manager: Alexander Matthews

CAST

Beartrice Albans: *Dwandra Nickole Lampkin

Agnes Albans: Arise Rock

Maude Lynn Albans: Holly Berman-Carter

Odette Albans: Nadia Rawlins

Makeda: Kayla Lynn

La Veuve: Kiara Gilmore

Marie Josephine: Treasure Rose

Understudies: Cedar Rock & CeCe Davis

*Appears by permission of Actors' Equity Association, The Union of Professional Actors and Stage Managers in The United States

PRODUCTION STAFF

Assistant Stage Manager: Ashton Bahr, Trinity Gibson

Production Assistant: Dayshaun Pruitt

Choreographer: Heather Mitchell

Fight Choreographer: Atis Kleinbergs

Scenic Designer: David Nofsinger

Assistant Scenic Designer: Andrea Imsland, Kathleen Gross

Scenic Paint Charge: Evelyn Kubizna

Assistant Paint Charge: Payton Teusink

Technical Director: Ryan Hodges

Assistant Technical Director: EllyGene Degraff

Carpenters: Alex Matthews, Tessa Wenger, Adam Batch, Camille Markucki

Props Master: Tessa Wenger

Assistant Props Master: Camille Markucki

Backup Show Caller: Ashlyn Eddins

Run Crew: Jack Austin, Tre'Shawn Bordner, Asher DeYoung, Kelsie Eckert, Jake Flaviani, Savannah Lee, Xavier Lipscomb, Jackson Medina, Maya Narayan, August Palmer, Jacob Reinstein, Lexie Strohschein, Leandro Ocampo

Assistant Costume Designer: Stacey Jordan

Costumer: Julia Kosanovich

Assistant Costumer: Alix Bauer

First Hand: Sarah Mughazy 

Hair and Wig Designer: Garrylee McCormick

Assistant Hair and Wig Designer: Patience Oliveira

Hair and Makeup Crew: Kimia Miri, Lataevaya Severe

Costume Run Crew Head: Alia Lynn

Wardrobe Crew: Julia Bolla, Michael Vasilevich, Halayna Bollwitt, Zen Glore, Mark Mumford, Tiffany Ridolphi

Stitchers: Arise Rock, Gizelle Khouri, Alia Lynn, Stacey Jordan, Sarah Mughazy, Alix Bauer, Lauren Dinkelmann, Eni Buckhanan, Perris Stachlewitz

Lighting Lead: Evan Carlson

Assistant Lighting Designer: Elena Hewett

Master Electrician Lead: Sydney Becker

Master Electrician: Hannah Cowgill

Programmer: Gabrielle Blowers

Light Board Operator: Ash Richardson

Sound Board Operator: Sophie Platt

Sound TSA: Landen Yocum, Logan Reeves

Electricians: Gabrielle Blowers, Lindsey Cook, Hannah Cowgill, James Nixon, Elena Hewett, Nick Pollich, Noah Brown, Autumn Cymbal, Kaitlyn Albertson, Samuel Konyndyk

DIRECTOR'S NOTE

First, I would like to say that it has been an honor working with the lovely company of young actors and designers here at Western Michigan University. This is a deeply ambitious piece of theatre, and it’s been a pleasure bringing it to fruition. 

This play by Marcus Gardley tells the story of free women of color surviving within a deeply restrictive society set in New Orleans in 1836. The play begins with both personal and the political turmoil within the Albans family. The death of the Patriarch and the Louisiana Purchase are two inciting events, both of which threaten to upend the civil liberties and livelihoods of Beartrice Albans and her daughters.

The historical backdrop of this fictional narrative is very real. The plaçage system (a financial arrangement between free women of color and wealthy white men) was practiced for generations. It was an arrangement that guaranteed survival and financial security for women within a society of very few opportunities for advancement for women of color. This is a piece of history that has been buried and forgotten. However, I believe in the power of art to reclaim and illuminate the missing parts of our collective history. We cannot know who we are unless we acknowledge where we come from.

I hope you enjoy our telling of this story. I hope it activates your imagination and provokes your curiosity. I hope you leave asking questions about what shaped America and how that history continues to shape us. This is a deeply American story about how some women survived against the steepest of odds. This is a story about freedom, and autonomy, and the personal cost of both.  Put simply, it’s a story about us, and I hope you leave talking about what makes the US us. - Dee Dee Batteast

GUEST BIOS

Dee Dee Batteast, Director (She / Her) is currently adjunct acting faculty for Ball State’s BFA program. She teaches courses in beginning acting, audition, and one-person show. She is also a proud alumnus of Ball State (07).

Ms. Batteast is also a writer.  Her self-produced one-woman show, NO AIDS, NO MAIDS, enjoyed a successful run at the Washington DC Fringe Festival, where it received the Capital Fringe Honors: Favorite Show of Fringe and Favorite Solo Performance. Ms. Batteast’s regional directing credits include The Thin Place at Gloucester Stage, People Where They Are at Clarence Brown Theatre, and The Revolutionists & The Conviction of Lady Lorraine at Farmers Alley. 

Dee Dee received her MFA in acting from UNC-Chapel Hill, where she spent 3 years as a company member of PlayMakers Repertory Theatre.  Some of her recent regional acting credits include: Merry Wives of Windsor & The Royale at American Players Theatre, Clyde’s at Studio Theatre, A Christmas Carol & Ohio State Murders at The Goodman, and Detroit 67’ at The Clarence Brown Theatre. She has also worked at Virginia Stage Company, Illinois Shakespeare Festival, and Indiana Repertory Theatre. Television credits include Chicago Fire, The Shinning Girls, and Chicago Med.

Sulaiman As-Salaam, Lighting Designer (they/them) is a rising lighting designer out of Atlanta, Ga. This is their first production at Western Michigan University. Their work has been seen at theaters across the Southern  United states. They are excited to bring their talents to Kalamazoo. (Steel Magnolias - CFRT25 / Ma Rainey's Black Bottom - Springer Opera House25 / The Preacher's Wife - Assoc. -  Alliance Theatre24).

Dwandra Nickole Lampkin, Beartrice Albans, is a Professor of Theatre in the School of Theatre and Dance at Western Michigan University. A graduate of the prestigious National Theatre Conservatory, where she earned her Master of Fine Arts in Acting, Lampkin launched her professional career in New York City, working across stage, television, and film for over three decades. She is thrilled to be working alongside her students in this production, bringing her professional experience to the stage in collaboration with the next generation of theatre artists.

Her television credits include appearances on Law & Order, Third Watch, Law & Order: SVU, and the critically acclaimed ABC series Wonderland. On stage, she has performed at renowned regional theatres such as the Tony Award-winning Denver Center Theatre, The Huntington Theatre in Boston, the National Black Theatre in New York City, Indiana Repertory Theatre, Cincinnati Playhouse in the Park, and The Human Race Theatre Company. She recently appeared at Farmers Alley Theatre in Skeleton Crew and at The Purple Rose Theatre in the world premiere of What Springs Forth.

Some of Lampkin’s most memorable stage roles include Matron Mama Morton in Chicago, Aunt Ester in August Wilson’s Gem of the Ocean, and Mrs. Muller in Doubt. She is slated to return to The Purple Rose Theatre next summer in the world premiere of Emma’s Weddings.

She is a proud member of Actors’ Equity Association (AEA) and SAG-

BIOS

Arise Rock (Agnès Albans): is a senior from Detroit, MI. Their previous credits include Mayme, Intimate Apparel; Ovetta, All the Natalie Portmans; Ernestine, Crumbs from the Table of Joy.

Cece Davis (U/S, La Veuve & Makeda): is a freshman (transfer student) from Muskegon, MI. Their previous credits include Caroline, I & You; Mimi Marquez, Rent; Lorrell, Dreamgirls.

Cedar Rock (US Marie Josephine, US Maude Lynn): is a sophomore from Detroit, MI. Their previous credits include U/S Chantel, All the Natalie Portmans; Ashbee, Am I Blue; The Ghost, Hamlet.

Holly Berman-Carter (Maude Lynn Albans): is a senior from St. Louis, Missouri. Her previous credits include House Mover/U/S Mrs. White, Clue; Cobbler, Julius Caesar; U/S Jean and U/S Margaret, POTUS; Stepp Sister/Ensemble, Dreamgirls.

Kiara Gilmore (La Veuve): is a junior from Troy, MI. Their previous credits include Ligarius, Julius Caesar; Keyonna, All The Natalie Portmans.

Nadia Rawlins (Odette Albans): is a senior from St. Louis, MO. Her previous credits include Lorrell Robinson, Dreamgirls; Pilar, Legally Blonde; Ensemble/u.s Pearl, SpongeBob; Ensemble/Ivy u.s On the Town.

Alexander Matthews (Stage Manager): is a senior from Beverly Hills, Michigan. His previous credits include Operations Technician & Stage Operations Crew, Utah Shakespeare Festival (2025); Assistant Technical Director & Production Manager, The Great Gatsby; Assistant Stage Manager, The Haunting of Hill House; Assistant Stage Manager, SpongeBob the Musical.

Landen Yocum (Sound Designer): is a sophomore from Michigan. His previous credits include Sound Engineer, Winter Dance Gala (2025, WMU); A1/Sound Designer, Seussical (2025, OHS); A2, Next Stop Broadway! (2024, WMU).

Kayla Wager (Makeda): is a junior from Detroit. Her previous credits include U/S Theodora, The Haunting of Hill House; U/S Keyonna and Ovetta, All the Natalie Portmans.

PLEASE NOTE

VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED BY LAW.

THE HOUSE THAT WILL NOT STAND IS PRESENTED BY SPECIAL ARRANGEMENT WITH BROADWAY LICENSING, LLC, SERVICING THE DRAMATISTS PLAY SERVICE COLLECTION. (WWW.DRAMATISTS.COM).

Special thanks to our donors for their endless support!

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