Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity is dedicated to the study of monstrosity and alterity in the medieval and early modern world, and to the investigation of cultural constructions of otherness, abnormality and difference from a wide range of perspectives. Submissions are welcome from scholars working within established disciplines, including—but not limited to—philosophy, critical theory, cultural history, history of science, history of art and architecture, literary studies, disability studies, and gender studies. Since much work in the field is necessarily pluri-disciplinary in its methods and scope, the editors are particularly interested in proposals that cross disciplinary boundaries. The series publishes English-language, single-author volumes and collections of original essays. Topics might include hybridity and hermaphroditism; giants, dwarves, and wild-men; cannibalism and the New World; cultures of display and the carnivalesque; “monstrous” encounters in literature and travel; jurisprudence, law, and criminality; teratology and the “New Science”; the aesthetics of the grotesque; automata and self-moving machines; or witchcraft, demonology, and other occult themes.
Keywords: Monsters, monstrosity, supernatural, alterity, otherness, disability studies, grotesque
Geographical scope: Global
Chronological scope: Late Medieval, Renaissance, and Early Modern
To submit a proposal or completed manuscript to be considered for publication by Medieval Institute Publications or to learn more about the series, contact Ilse Schweitzer VanDonkelaar, acquisitions editor for the series.
Portraits of Human Monsters in the Renaissance: Dwarves, Hirsutes, and Castrati as Idealized Anatomical Anomalies
By Touba Ghadessi, Wheaton College
At the center of this interdisciplinary study are court monsters - dwarves, hirsutes, and misshapen individuals - who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. The study traces how these monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. The works examined here point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts.
MPD Monograph 1, ISBN 978-1-58044-275-6 (clothbound), 978-1-58044-276-3 (PDF) © 2018
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forthcoming in this series
Raising the Dead: The Meaning and Purpose of Restless Corpses in Medieval English Narratives
By Polina Ignatova
A number of medieval English narratives, ranging from the 11th to the 15th century, contain stories about walking dead—corpses that climb out of their graves to the wonder and terror of the living. Their activities vary wildly: some restless cadavers attempt to seduce living men or women; others knead bread, spread pestilence, eat human flesh, poke out eyes, communicate with monarchs, and knock on the doors of the living. Some wandering corpses acquire additional powers such as turning invisible or assuming guises of dogs and bears, while others fail to maintain coherent speech. This book deconstructs the medieval image of a restless corpse in an endeavor to find rational explanations for medieval stories of the walking dead.