Published Volumes of Studies in Iconography

Articles

• "Monastic Reform and Romanesque Figurative Capitals at Saint-Bénigne in Dijon" by Carolyn Marino Malone
• "Identity, Indeterminacy, and Audience: The Semantics of Portraiture in the De Brailes Hours" by Maeve K. Doyle
• "Margaret of York as the Two Marys: Flexible Iconography in the Frontispiece of 'Le Dyalogue de la duchesse de Bourgogne à Jésus Christ'" by Erica O'Brien
• "The Dominican High Altar in Bern and the Failure of Iconography" by Tamara Golan
• "Judith, Salome, and Allegories of Tyranny in the Work of Lucas Cranach the Elder" by Victoria S. Reed
• "Describing Giorgione's 'Tempest': Iconography, Genre, Interpretation" by Monika Schmitter

Book Reviews

• "Masters of Melancholy: A Review Essay" by Mitchell Merback
• Romanesque Tomb Effigies: Death and Redemption in Medieval Europe, 1000–1200 by Shirin Fozi
  • Review by Thomas Dale
• Sephardic Book Art of the 15th Century edited by Luís U. Afonso and Tiago Moita
  • Review by Marc Michael Epstein
• Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture by Jessica Barker
  • Review by Joan A. Holladay
• Insular Iconographies: Essays in Honour of Jane Hawkes edited by Meg Boulton and Michael D. J. Bintley
  • Review by Caitlin Hutchison
• Learning through Images in the Italian Renaissance: Illustrated Manuscripts and Education in Quattrocento Forence by Federico Botana
  • Review by Rheagan Eric Martin
• Genealogy and the Politics of Representation in the High and Late Middle Ages by Joan A. Holladay
  • Review by Elizabeth J. Moodey

Articles

• "A Reconsideration of the Communion of the Apostles in Byzantine Art" by Vaeileios Marinis
• "Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library 'Legenda aurea' (HM 3027)" by Martha Eason
• "'A Lanterne of Lyght to the People': English Narrative Alabaster Images of John the Baptist in Their Visual, Religious, and Social Contexts" by Kathryn A. Smith
• "Metapainting in Fourteenth-Century Byzantium and Italy: Performing Devotion Through Time and Space" by Giulia Puma and Maria Alessia Rossi
• "Frame for a Sultan" by Rossitza B. Schroeder
• "The Implicating Gaze in Bronzino's 'Cosimo I de' Medici as Orpheus' and the Intellectual Culture of the Accademia Fiorentina" by Christine Zappella

Book Reviews

• Sensory Reflections: Traces of Experience in Medieval Artifacts edited by Fiona Griffiths and Kathryn Starkey
  • Review by Martina Bagnoli
• Book of Beasts: The Bestiary in the Medieval World edited by Elizabeth Morrison
  • Review by Irène Fabry-Tehranchi
• A Soul's Journey: Franciscan Art, Theology, and Devotion in the "Supplicationes variae" by Rebecca W. Corrie
  • Review by Amy Neff
• Passion Relics and the Medieval Imagination: Art, Architecture, and Society by Cynthia Hahn
  • Review by Erik Inglis
• The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476 by Sonja Drimmer
  • Review by William Kuskin
• English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominquez
  • Review by Christel Theunissen
• Pleasure and Politics at the Court of France: The Artistic Patronage of Queen Marie of Brabant (1260–1321) by Tracy Chapman Hamilton
  • Review by Anna Russakoff
• The Red Monastery Church: Beauty and Asceticism in Upper Egypt edited by Elizabeth S. Bolman
  • Review by Jesper Blid

Articles

• "Signs of the City: Seigniorial Power and Vernacular Visual Culture in Two Northern French Rent-Books" by Margaret Goehring
• "The Rhetoric of Aphrodite in the Byzantine Illuminated Book" by Mati Meyer
• "Reading with the Evangelists: Portrait, Gesture, and Interpretation in the Byzantine Gospel Book" by Justin Wilson
• "'What is That to Us?': The Eucharistic Liturgy and the Enemies of Christ in the Beam of the Passion" by David M. Freidenreich and Véronique Plesch
• "Text, textile, Blood: Mary under the Cross in an Illuminated 'Meditationes Vitae Christi' (Oxford, Corpus Christi College, MS 410)" by Renana Bartal
• "St. Roch and the Angel in Renaissance Art" by Louise Marshall 

Book Reviews

• Medieval Monsters: Terrors, Aliens, Wonders by Sherry C. M. Lindquist and Asa Simon Mittman
  • Review by Thomas E. A. Dale
• The Cistercian Reform and the Art of the Book in Twelfth-Century France by Diane J. Reilly
  • Review by James D'Emilio
• Les modèles dans l'art du Moyen Âge (XIIe-XVe siècles). Actes du colloque. Modèles supposés, modèles repérés: leurs usages dans l'art gothique, Université de Genève (3–5 November 2016) = Models in the Art of the Middle Ages (12th–15th Centuries). Conference Proceedings. Supposed Models, Identified Models: Their Uses in Gothic Art, University of Geneva (3–5 November 2016) edited by Denise Borlée and Laurence Terrier Aliferis
  • Review by Sonja Drimmer
• Raymond Klibansky and the Warburg Library Network: Intellectual Peregrinations from Hamburg to London and Montreal edited by Philippe Despoix and Jillian Tomm
  • Review by Karen Lang
• An Insular Odyssey: Manuscript Culture in Early Christian Ireland and Beyond edited by Rachel Moss, Felicity O'Mahoney, and Jane Maxwell
  • Review by Carol Neuman de Vegvar
• Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts by Renana Bartal
  • Review by Alexa Sand
• Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts by Richard K. Emmerson
  • Review by Alexa Sand
• Painting the Page in the Age of Print edited by Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen
  • Review by Larry Silver and Debra Cashion
• Epigraphy in an Intermedial edited by Alessia Bauer, Elise Kleivane, and Terje Spurkland
  • Review by Nancy L. Wicker 

Notes on Contributors

Articles

• "Pictures with Words: Reading the Apse Mosaic of S. Agnese f.l.m. (Rome)" by Dennis Trout
• "Pictorial Typology and the Miniatures of the Peterborough Psalter in Brussels" by Lucy Freeman Sandler
• "Weaving on the Wall: Architecture and Textiles at the Monastery of Las Huelgas in Burgos" by Patricia Blessing
• "Mona Lisa's Smile: Interpreting Emotion in Renaissance Female Portraits" by Theresa Flanigan
• "Charity as Act and Allegory in Venetian Art" by Meryl Bailey

Book Reviews

• The Dawn of Christian Art in Panel Paintings and Icons, published simultaneously in Italy as Alle origini delle icone by Thomas Mathews with Norman E. Muller
  • Review by Diliana Angelova
• Images du Christ: Des catacombes aux lendemains de l'iconoclasme by Jean Michel Spieser
  • Review by Diliana Angelova
• Theophilus and the Theory and Practice of Medieval Art by Heidi C. Gearhart
  • Review by Vincent Debiais
• The Jewish Bible: A Material History by David Stern
  • Review by Marc Michael Epstein
• Albrecht Dürer and the Epistolary Mode of Address by Shira Brisman
  • Review Hannah J. Friedman
• Natural Materials of the Holy Land and the Visual Translation of Place, 500–1500 edited by Renana Bartal, Neta Bodner, and Bianca Kühnel
  • Review by Maria Georgopoulou
• Rural Lives and Landscapes in Late Medieval Byzantium: Art, Archaeology, and Ethnography by Sharon E. J. Gerstel
  • Review by Maria Georgopoulou
• The Routledge Companion to Medieval Iconography edited by Colum Hourihane
  • Review by Gerald B. Guest
• Cosmos and Community in Early Medieval Art by Benjamin Anderson
  • Review by Danielle E. Joyner
• A Saving Science: Capturing the Heavens in Carolingian Manuscripts by Eric M. Ramírez-Weaver
  • Review by Danielle E. Joyner
• The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation edited by Grażyna Jurkowlaniec, Ika Matyjaszkiewicz, and Zuzanna Sarnecka
  • Review by Sherry Lindquist

Notes on Contributors 

Articles

• "A Monument of His Own? An Iconographic Study of the Wall Paintings of the Holy Trinity Parekklesion at the Monastery of St. John Chrysostom, Koutsovendis (Cyprus)" by Maria G. Parani
• "Patrons and Artists of the Sculptural Program of the Church of Saint-André-la-Bas: Meanings and Identities" by Nurith Kenaan-Kedar (1938–2015) and Gil Fishhof
• "Visualizing Dynastic Desire: The Twelfth-Century Gospel Book of Henry and Matilda" by Jitske Jasperse
• "Judgment, Work, and Social Change: Reading a New Spirituality in the Sculpted Laborers of Santiago de Carrión de los Condes" by Elizabeth Lastra
• "Manipulating the Cup of Blessing: Gendered Reading of Ritual Images in European-Hebrew Books" by Sarit Shalev-Eyni

Book Reviews

• Vigilant Powers: Three Churches of Early Medieval Armenia by Christina Maranci
  • Review by Benjamin Anderson
• The Monk's Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee, with a Prologue by Friar Erhard von Pappenheim edited by David Stern, Christoph Markschies, and Sarit Shalev-Eyni
  • Review by Aleksandra Bunčić
• The Brussels Tristan Tapestries. Myth Regenrated in Wool, Silk and Precious Threads by Jaqueline Thibault Schaefer
  • Review by Michael Curschmann
• Ceremonial Entries in Early Modern Europe edited by J. R. Mulryne with Maria Ines Aliverti and Anna Maria Testaverde
  • Review by Tracey Hill
• French Visual Culture and the Making of Medieval Theater by Laura Weigert
  • Review by Jesse Hurlbut
• Images et ornements autour des ordres militaires au Moyen Age. Culture visuelle et culte des saints (France, Espagne du Nord, Italie) edited by Damien Carraz and Esther Dehoux
  • Review by Eric Palazzo
• Art, Controversy, and the Jesuits: The Imago Primi Saeculi (1640) edited by John W. O'Malley
  • Review by Larry Silver
• Sign and Design: Script as Image in Cross-Cultural Perspective (300–1600 CE) edited by Brigitte Miriam Bedos-Rezak and Jeffrey F. Hamburger
  • Review by Benjamin C. Tilghman
• The Traditio Legis: Anatomy of an Image by Robert Couzin
  • Review by Dennis Trout
• The Emblem in Early Modern Europe: Contributions to the Theory of the Emblem by Peter M. Daly
  • Review by Tianna Helena Uchacz

Notes on Contributors

Articles

• "Eyes Dim with Age at Vézelay" by Kirk Ambrose
• "Syncretism and Segregation in Early Christian Art" by Robert Couzin
• "A Savin Bush in the Cloister: Art and Nature in the Plan of St. Gall" by Danielle B. Joyner
• "The Beautiful Lucifer as an Object of Aesthetic Contemplation in the Central Middle Ages" by Gerald B. Guest
• "The Stone and the Dream: On Piero della Francesca's 'Resurrection'" by Cyril Gerbron
• "Networks of Knowledge: Inventing 'Theology' in the Stanza della Segnatura" by Kim Butler Wingfield

Book Reviews

• L'Iconographie du Chevalier errant de Thomas de Saluces by Florence Bouchet
  • Review by Grace Morgan Armstrong
• Working Drawings of Icon Painters After the Fall of Constantinople: The Andreas Xyngopoulos Portfolio at the Benaki Museum by Maria Vassilaki
  • Review by Annemarie Weyl Carr
• Illuminators and Patrons in the Fourteenth-Century England: The Psalter and Hours of Humphrey de Bohun and the Manuscripts of the Bohun Family by Lucy Freeman Sandler
  • Review by Claire Donovan
• The Tree: Symbol, Allegory, and Mnemonic Device in Medieval Art and Thought edited by Pippa Salonius and Andrea Worm
  • Review by Gerald B. Guest
• Death, Torture, and the Broken Body in European Art, 1300–1650 edited by John R. Decker and Mitzi Kirkland-Ives
  • Review by Jack Hartnell
• Ferdinandus Dei gracia Rex Aragonum. La efigie de Fernando II el Católico en la iconografía medieval and Effigies Regis Aragonum. La imagen figurativa del rey de Aragón en la Edad Media by Marta Serrano Coll
  • Review by Nicola Jennings
• In a New Light: Giovanni Bellini's "St. Francis in the Desert" edited by Susannah Rutherglen and Charlotte Hale
  • Review by Daniel Wallace Maze
• The Ferrel–Vogüé Machaut Manuscript Facsimile, introduction by Lawrence Earp
  • Review by Deborah McGrady
• Images-within-Images in Italian Painting (1250–1350): Reality and Reflexivity by Péter Bokody
  • Review by Julia I. Miller
• Die mittelalterlichen Olifante by Avinoam Shalem
  • Review by Lawrence Nees
• Visual Vultures of Secrecy in Early Modern Europe edited by Timothy McCall, Sean Roberts, and Giancarlo Fiorenza
  • Review by Ingrid D. Rowland 

Notes on Contributors 

Articles

• "Out of Egypt: Inventing the Black Madonna of Le Puy in Image and Text" by Elisa A. Foster
• "Cartographic Imaginings: Mapping Anglo-Scottish Existence in the Late Middle Ages" by Andrew W. Klein
• "Piety, Penance, and the Passion of Christ: The Iconographic Program of the Franciscan Friary at Ennis, Ireland" by Malgorzata Krasnodębska-D'Aughton
• "Christmas Lessons in Word and Image in the Douce Homilary" by Judith Oliver
• "Portraiture, Politics, and Piety: The Royal Patronage of Gautier de Coinci's 'Miracles de Nostre Dame' (Paris, BnF, MS nouv. acqu. fr. 24541)" by Anna Russakoff
• "Seeing Christ: The Groß St. Martin Evangelistary and Monastic Image-Making in Thirteenth-Century Cologne" by Adam R. Stead 

Book Reviews 

• The Many Faces of Christ: Portraying the Holy in the Easy and West, 300 to 1300 by Michele Bacci
  • Review by Leslie Brubaker
• The Infinite Image: Art, Time and the Aesthetic Dimension in Antiquity by Zainab Bahrani
  • Review by Marian H. Feldman
• The Riddle of the Image: The Secret Science of Medieval Art by Spike Bucklow
  • Review by Alison Stones
• Un Medioevo in lungo e in largo. Da Bisanzio all'occidente (VI–XVI secolo). Studi per Valentino Pace edited by Vittoria Camelliti and Allessia Trivellone
  • Review by Nino Zchomelidse
• The Sensuous in the Counter-Reformation Church edited by Marcia B. Hall and Tracy E. Cooper
  • Review by Benjamin Paul
• Thèmes religieux et thèmes profanes dans l'image médiévale: tranferts, empprunts, oppositions edited by Christian Heck
  • Review by Kirk Ambrose
• Picturing the "Pregnant" Magdalene in Northern Art, 1430–1550: Addressing and Undressing the Sinner-Saint by Penny Howell Jolly
  • Review by Diane Apostolos-Cappadona
• Wounds in the Middle Ages (The History of Medicine in Context Series) edited by Anne Kirkham and Cordelia Warr
  • Review by Jennifer Borland
• An Allegory of Divine Love: The Netherlandish Blockbook Canticum Canticorum by Marilyn Aronberg Lavin
  • Review by Donald F. Duclow
• Annotations and Meditations on the Gospels. Cumulative Index by Jerome Nadal, S. J.
  • Review by Larry Silver
• Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration by Minou Schraven
  • Review by Steven F. Ostrow
• Das Bodenmosaik der Kathedrale von Otranto (1163–1165): Normannische Herrscherideologie als Endzeitvision by Christine Ungruh
  • Review by Beat Brenk
• Art, Ritual and Civic Identity in Medieval Southern Italy by Nino Zchomelidse
  • Review by Dorothy F. Glass 

Notes on Contributors 

Articles

• "What a Medieval Diagram Shows: A Case Study of 'Computus'" by Faith Wallis
• "The Physical and the Spiritual Universe: 'Infernus' and Paradise in Medieval Cosmography and Its Visual Representations (Seventh–Fourteenth Century)" by Barbara Obrist
• "Milk as Templar Apologetics in the St. Bernard of Clairvaux Altarpiece from Majorca" by Doron Bauer

Review Articles

• "The State of Early Christian Iconography in the Twenty-First Century" by Bente Kiilerich
• "Medieval Irish Art History" by Dorothy H. Verkerk
• "Witnessing Iconoclasm: Two Recent Books" by Karl F. Morrison

Reviews

• Religious Poverty, Visual Riches, Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries by Joanna Cannon
  • Review by Serena Romano
• The Social Life of Illumination: Manuscripts, Images, and Communities in the Late Middle Ages edited by Joyce Coleman, Mark Cruse, and Kathryn A. Smith
  • Review by Gerald B. Guest
• The Making of Assisi: The Pope, the Franciscans and the Painting of the Basilica by Donal Cooper and Janet Robson
  • Review by Marilyn Aronberg Lavin
• Giotto und die Croci Dipinte des Trecento: Studien zu Typus, Genese und Rezeption mit einem Katalog der monumentalen Tafelkreuze des Trecento (ca. 1290–ca. 1400) by Marcello Gaeta
  • Review by Donal Cooper
• Illuminating in Micrography: The Catalan Micrography Mahzor MS Heb 8° 6527 in the National Library of Israel by Dalia-Ruth Halperin
  • Review by Marc Michael Epstein
• Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490 by Diana Hiller
  • Review by Anne Derbes
• The World of Kosmas, Illustrated Byzantine Codices of the Christian Topography by Maja Kominko
  • Review by Benjamin Anderson
• Images of Cosmology in Jewish and Byzantine Art, God's Blueprint of Creation by Shulamith Laderman
  • Review by Benjamin Anderson
• Images, Texts, and Marginalia in a "Vows of a Peacock" Manuscript (New York, Pierpont Morgan Library MS G24). With a Complete Concordance and Catalogue of Peacock Manuscripts by Domenic Leo
  • Review by Martine Meuwese
• Byzantine Art and Renaissance Europe by Angeliki Lymberopoulou and Rembrandt Duits
  • Review by Maria Georgopoulou
• Reden von der Minne. Untersuchungen zu Spielformen literarischer Bildung zwischen verbaler und visueller Vergegenwärtigung anhand von Minnereden und Minnebildern des deutschsprachigen Spätmittelalters by Stefan Matter
  • Review by Michael Curschmann
• Artus in Gold. Der Erec Zyklus auf dem Krakauer Kronenkreuz by Joanna Mühlemann
  • Review by Hiltrud Westermann-Angerhausen
• A Courtier's Mirror: Cultivating Elite Identity in Thomasin von Zerclaere's "Welscher Gast" by Kathryn Starkey
  • Review by James Rushing
• St. Catherine of Alexandria in Renaissance Roman Art by Cynthia Stollhans
  • Review by Carol M. Richardson
• Imagining the Passion in a Multiconfessional Castile: The Virgin, Christ, Devotions, and Images in the Fourteenth and Fifteenth Centuries by Cynthia Robinson
  • Review by Teofilo F. Ruiz
• Asinou across Time: Studies in the Architecture and Murals of the Panagia Phorbiotissa, Cyprus edited by Annemarie Weyle Carr and Andréas Nicolaïdès
  • Review by Maria G. Parani 

Notes on Contributors 

Articles

• “The Illustration and Text on the Book of Kells, Folio 114rv.” by Daniel McCarthy
• “A Maniera greca: Content, Context, and Transformation of a Term” by Anastasia Drandaki
• “Veneto-Byzantine ‘Hybrids’: Towards a Reassessment” by Michelle Bacci
• “Out of Sight: Painting and Perception in Fourteenth-Century Byzantium” by Charles Barber
• “Charlemagne’s Sin, the Last Judgment, and the New Theology of Penance at Chartres” by Jennifer M. Feltman
• “The Sarajevo Haggadah Creation Cycle and the Nahmanides School of Theosophical-Kabbalah” by Dalia-Ruth Halperin
• “The Dead Christ on the Cross in Ethiopian Art: Notes on the Iconography of the Crucifixion in Twelfth- to Fifteenth-Century Ethiopia” by Jacopo Gnisci

Book Reviews 

• Illuminating the “Roman d’Alexandre,” Oxford, Bodleian Library, MS Bodley 264: The Manuscript as Monument by Mark Cruse
  • Review by Elizabeth Moore Hunt
• Ambiguous Locks: An Iconology of Hair in Medieval Art and Literature by Roberta Milliken
  • Review by Karen Winstead
• The Meanings of Nudity in Medieval Art edited by Sherry C. M. Lindquist
  • Review by Richard A. Leson
• Le “Ci nous dit”: L’Image médiévale et la culture des laïcs au XIVe siècle; Les enluminures du manuscript de Chantilly by Christian Heck
  • Review by Mark Cruse
• A Mahzor from Worms: Art and Religion in a Medieval Jewish Community by Katrin Kogman-Appel 
  • Review by Evelyn M. Cohen
• Sacral Geographies, Saints, Shrines and Territory in Medieval Ireland by Karen Eileen Overbey 
  • Review by Paul Mullarkey
• The Gothic Stained Glass of Reims Cathedral by Meredith Parsons Lillich
  • Review by Sarah Brown
• The Early Renaissance and Vernacular Culture by Charles Dempsey
  • Review by Manu Radhakrishnan
• La Vierge au manteau du Puy-en-Velay: Un chef-d’oeuvre méconnu du gothique international (vers 1400–1410) by Hélène Millet and Claudia Rabel
  • Review by Elina Gertsman
• French Books of oursHours: Stories and the Construction of the Self in Late Medieval England Virginia Reinburg 
  • Review by Margaret M. Manion
• The Taymouth Hours: Stories and the Construction of the Self in Late Medieval England by Kathryn A. Smith
  • Review by Margaret M. Manion
• The Embodied Icon: Liturgical Vestments and Sacramental Power in Byzantium by Warren T. Woodfin
  • Review by Henry Schilb
• Reassessing the Roles of Women as ‘Makers’ of Medieval Art and Architecture edited by Therese Martin
  • Review by Fiona Griffiths
• Reading the Reverse Façade of Reims Cathedral: Royalty and Ritual in Thirteenth-Century France by Donna Sadler
  • Review by Meredith Cohen
• Opening Up Middle English Manuscripts: Literary and Visual Approaches by Kathryn Kerby-Fulton, Maidie Hilmo, and Linda Olson
  • Review by Don C. Skemer
• Mary Magdalene: Iconographic Studies from the Middle Ages to the Baroque edited by Michelle A. Erhardt and Amy M. Morris
  • Review by Penny Howell Jolly
• Father and Son: Nicola and Giovanni Pisano by Max Seidel
  • Review by Anita Moskowitz
• The Emperor and The World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. by Alicia Walker
  • Review by Christina Maranci
• Art of Estrangement: Redefining Jews in Reconquest Spain by Pamela A. Patton
  • Review by Rose Walker
• Imagining the Human Condition in Medieval Rome: The Cistercian Fresco Cycle at Abbazia delle Tre Fontane by Kristin B. Aavitsland
  • Review by Serena Romano
• Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400-circa 1204 by Cynthia Hahn
  • Review by Carolyn M. Carty
• Nectar and Illusion: Nature in Byzantine Art and Literature by Henry Maguire
  • Review by Charles Barber
• Goldene Pracht: Mittelalterliche Schatzkunst in Westfalen edited by Holger Kempkens, Hartmut Krohn, et al.,
  • Review by Anne Heath
• Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandanavian Sculpture by Lilla Kopár
  • Review by Amy R. Miller
• Art as Politics in Late Medieval and Renaissance Siena edited by Timothy B. Smith and Judith B. Steinhoff
  • Review by Matthew G. Shoaf
• L’iconographie de la Bible Historiale by Eléonore Fournié
  • Review by Alison Stones
• L’allégorie dans l’art du Moyen Âge: Formes et fonctions; Héritages, creations, mutations edited by Christian Heck
  • Review by Cordelia Warr
• The Works of Mercy in Italian Medieval Art (c. 1050–c. 1400) by Federico Botana
  • Review by Ivan Gerat
• Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century by Elizabeth Valdez del Álamo
  • Review by Jennifer S. Alexander
• Rosenkränze und Seelengärten: Bildung und Frömmigkeit in niedersächsischen Frauenklöstern edited by Britta-Juliane Kruse
  • Review by Corine Schleif

Articles

• “Emblematic Narratives in the Sancta Sanctorum” by Marius Bratsberg Hauknes
• “Sicilian Ambitions Renewed: Illuminated Manuscripts and Crusading Iconography” by Rebecca W. Corrie
• “Work and Prayer in the Fiery Furnace: The Three Hebrews on the Censer of Reiner in Lille and a Case for Artistic Labor” by Heidi C. Gearhart
• “’Quid milites pugnantes’? An Early Representation of Chanson de Geste on the Romanesque Frieze of Angoulême Cathedral Reexamined” by Timothy J. Hunter
• “Giving ‘the Middle Ages’ a Bad Name: Blood Punishments in the Sachsenspiegel and Town Lawbooks” by Madeline H. Caviness

Book Reviews 

• Jews among Christians: Hebrew Book Illumination from Lake Constanceby Sarit Shalev-Eyni
  • Review by William Chester Jordan
• English Medieval Misericords: The Margins of Meaning by Paul Hardwick
  • Review by Mailan S. Doquang
• The Playful Middle Ages: Meanings of Play and Plays of Meaning; Essays in Memory of Elaine C. Block edited by Paul Harwick
  • Review by Mailan S. Doquang
• An Obscure Portrait: Imaging Women’s Reality in Byzantine Art by Mati Meyer
  • Review by Ioli Kalavrezou
• The Apse, the Image and the Icon: An Historical Perspective of the Apse as a Space for Images by Beat Brenk
  • Review by Charles Barber
• The Medieval Haggadah: Art, Narrative and Religious Imagination by Marc Michael Epstein
  • Review by Ilana Tahan
• The Cult of the Mother of God in Byzantium: Text and Images edited by Leslie Brubaker and Mary B. Cunningham,
  • Review by Maria Vassilaki
• Virtual Pilgrimages in the Convent: Imagining Jerusalem in the Late Middle Ages by Kathryn M. Rudy
  • Review by Henry Luttikhuizen
• Les saints ermites et moines dans la peinture murale byzantine by Svetlana Tomeković
  • Review by Henry Maguire
• Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England by Aden Kumler
  • Review by Kathryn Smith
• Die Vorhalle als Paradies: Ikonographische Studien zur Bauskulptur der ehemaligen Frauenstiftskirche in Andlau by Christian Forster
  • Review by Michael Curschmann
• Approaching the Holy Mountain: Art and Liturgy at St. Catherine’s Monastery in the Sinai edited by Sharon E. J. Gerstel and Robert S. Nelson
  • Review by Antony Eastmond
• Jean Fouquet and the Invention of France: Art and Nation after the Hundred Years War by Erik Inglis
  • Review by Sherry C. M. Lindquist
• Ottonian Imperial Art and Portraiture: The Artistic Patronage of Otto III and Henry II by Eliza Garrison
  • Review by Henry Mayr-Harting

Introduction by Nina Rowe

Articles 

• Form
  • “Color” by Heather Pulliam
  • “Likeness” by Stephen Perkinson
  • “Margin” by Kathryn A. Smith
• Experience
  • “Narrative” by Anne F. Harris
  • “Performance” by Laura Weigert
  • “Reception” by David S. Areford
  • “Visuality” by Alexa Sand
• Identity
  • “Feminism” by Martha Easton
  • “Gender” by Sherry C. M. Lindquist
  • “Other” by Nina Rowe
  • “Postcolonial” by Karen Eileen Overbey
  • “Queer” by Karl Whittington
• Society
  • “Gift” by Cecily J. Hilsdale
  • “Globalism” by Alicia Walker
  • “Influence” by Kirk Ambrose
  • “Patronage” by Holly Flora
  • “Space” by Gerald B. Guest
• Categorization
  • “Gothic” by Matthew M. Reeve
  • “Medievalism” by William J. Diebold
  • “Romanesque” by Marian Bleeke

Book Reviews 

• Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters by Lisbeth Castelnuovo-Tedesco and Jack Soultanian, with contributions by Richard Y. Tayar
  • Review by Kirk Ambrose
• The Devout Belief of the Imagination: The Paris Meditationes Vitae Christi and Female Franciscan Spirituality in Trecento Italy by Holly Flora
  • Review by Brendan Cassidy
• The Sensual Icon: Space, Ritual, and the Senses in Byzantium, Maria Vassilaki, ed. The Hand of Angelos: An Icon Painter in Venetian Crete by Bissera Pentcheva
  • Review by Rebecca W. Corrie
• Medieval Ivory Carvings: Early Christian to Romanesque by Paul Williamson
  • Review by William J. Diebold
• In and Out of the Marital Bed: Seeing Sex in Renaissance Europe by Diane Wolfthal
  • Review by Rachel Dressler
• The Sculpture of Reform in Northern Italy ca 1095–1130, History and Patronage of Romanesque Facades by Dorothy F. Glass
  • Review by Louis I. Hamilton
• The Anjou Bible: A Royal Manuscript Revealed; Naples 1340 edited by Lieve Watteeuw and Jan Van der Stock
  • Review by C. M. Kauffmann
• The Dance of Death in the Middle Ages: Images, Text, Performance by Elina Gertsman
  • Review by Nigel F. Palmer
• The Queen’s Library: Image-Making at the Court of Anne of Brittany, 1477–1514 by Cynthia J. Brown
  • Review by Pamela Sheingorn
• Brueghel’s Heavy Dancers: Transgressive Clothing, Class and Culture in the Late Middle Ages by John Block Friedman
  • Review by Margaret A. Sullivan

Notes on Contributors

Acknowledgments 

Articles

• “Antichrist and the Jews in Medieval Art and Protestant Propaganda” by Debra Higgs Strickland
• “Image as Word: Visual Openings, Verbal Imaginings” by Elina Gertsman
• “Pocket Crucifixions: Jesus, Jews, and Ownership in Fourteenth-Century Ivories” by Nina Rowe
• “Remembering Floire et Blancheflor: Gothic Secular Ivories and the Arts of Memory” by Paula Mae Carns
• “Heraldry and Identity in the Psalter-Hours of Jeanne of Flanders (Manchester, John Rylands Library, MS Lat. 117)” by Richard A. Leson

Book Reviews 

• The Bayeux Tapestry: New Interpretations edited byMartin K. Foys, Karen Eileen Overby, and Dan Terkla
  • Review by Herbert R. Broderick
• The Painter Angelos and Icon-Painting in Venetian Crete by Maria Vassilaki
  • Review by Maria Evangelatou
• Giotto’s O: Narrative, Figuration, and Pictorial Ingenuity in the Arena Chapel. Anne Derbes and Mark Sandona, The Userer’s Heart: Giotto, Enrico Scrovegni, and the Arena Chapel in Padua. Laura Jacobus, Giotto and the Arena Chapel: Art, Architecture and Experience by Andrew Ladis
  • Review by Holly Flora
• Les Marges à drolleries des manuscrits gothiques (1250–1350) by Jean Wirth
  • Review by Elizabeth Moore Hunt
• Beth Williamson, The Madonna of Humility: Development, Dissemination & Reception, c. 1340–1400 by Beth Williamson
  • Review by M. A. Michael
• Ecce Fides: Die Statue von Conques, Götzendienst und Bildkultur im Westen by Beate Fricke
  • Review by Pamela Sheingorn
• Das Ich im Bild: Die Figur des Autors in volkssprachigen Bilderhandschriften des 13. Bis 16 Jahrhunderts by Ursula Peters
  • Review by Alison Stones
• Byzantine Illuminated Manuscripts of the Book of Job: A Preliminary Study of the Miniature Illustrations, Its Origin and Development. Athens: Brepols, 2009. Pp. 432; 417 color and black-and-white illus.; 2 appendices Stella Papadaki-Oekland
  • Review by Leong Seow

Notes on Contributors

Articles

• “Kissing the Virgin’s Foot: Adoratio before the Madonna and Child Enacted, Depicted, Imagined” by Joanna Cannon
• “Illustrating the Gospel of John: The Exegesis of John Chrysostom and Images of the Ancient of Days in Eleventh-Century Byzantine Manuscripts” by Gretchen Kreahling McKay
• “Representing Devotional Economy: Agricultural and Liturgical Labor in the Luttrell Psalter” by Ellen K. Rentz
• “The Wise and Foolish Magdalene, the Good Widow, and Rogier van der Weyden’s Braqye Triptych” review by Penny Howell Jolly
• “Dual Messages of Power on the Façade of the Casa Montejo, Mérida, Yucatán” by Linda K. Williams

Book Reviews

• L’artista a Bisanzio e nel mondo Cristiano-orientale edited by Michele Bacci
  • Review by Kathleen A. Corrigan
• Dynamic Splendor: The Wall Mosaics in the Cathedral of Eufrasius at Poreč by Ann Terry and Henry Maguire
  • Review by Deborah M. Deliyannis
• Singing with Angels: Liturgy, Music, and Art in the Gradual of Gisela von Kerssenbrock by Judith H. Oliver
  • Review by Rachel Fulton
• Picturing Kingship: History and Painting in the Psalter of Saint Louis by Harvey Stahl
  • Review by William Chester Jordan
• Introducing the Lambeth Bible: A Study of Texts and Imagery by Dorothy M. Shepard
  • Review by Diane Reilly
• Parallel Narratives: Function and Form in the Munich Illustrated Manuscripts of ‘Tristan’ and ‘Willehalm von Orlens’ by Julie C. Walworth
  • Review by James Rushing

Notes on Contributors

Articles

• “William of Conches, Philosophical Continuous Narration, and the Limited Worlds of Medieval Diagrams” by Eric M. Ramírez-Weaver
• “Humility and Piety: The Annunciation in the Church of Ognissanti in Florence” by Julia Miller and Laurie Taylor-Mitchell
• “Franciscan Chapel Decoration: The St. Silvester Cycle of Maso de Banco at Santa Croce in Florence” by Jane C. Long
• “The Prince and the Bishop: A New Hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale” by Diana Norman
• “Eyeing Envy in the Arena Chapel” by Matthew G. Shoaf
• “The Gendering of Libertas and the International Gothic: Carlo Crivelli’s Ascoli Annunciation” by Timothy McCall
• “Agostino Carracci’s Obscene Wit in Two Lascivious Prints” by Patricia Simons

Book Reviews 

• Icons and Power: The Mother of God In Byzantium by Bissera V. Pentcheva
  • Review by Michele Bacci
• Image and Meaning in Islamic Art., Bernard O’Kane, ed., The Iconography of Islamic Art: Studies in Honour of Robert Hillenbrand., Anna Contadini, ed., Arab Painting: Text and Imagery in Illustrated Arabic Manuscripts edited by Robert Hillenbrand
  • Review by Marianna Shreve Simpson
• Pittura rupestre medieval: Lazio e Campania settentrionale (secoli VI–XIII) by Simone Piazza
  • Review by Linda Safran
• The Enthroned Corpse of Charlemagne: The Lord-in-Majesty Theme in Early Medieval Art and Life by John F. Moffitt
  • Review by Matthew Gabriele
• St Margaret’s Gospel-book: The Favorite Book of an Eleventh-Century Queen of Scots by Rebecca Rushforth
  • Review by Jane E. Rosenthal
• Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday by Katrin Kogman-Appel
  • Review by Cynthia Robinson
• Gautier de Coinci: Miracles, Music, and Manuscripts edited by Kathy M. Krause and Alison Stones
  • Review by Anna Russakoff
• The Harrowing of Hell in Medieval England by Karl Tamburr
  • Review by Richard K. Emmerson
• Ovid’s Art and the Wife of Bath: The Ethics of Erotic Violence by Marilynn Desmond
  • Review by Susan J. Dudash
• Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England by Jessica Brantley
  • Review by Ann Eljenholm Nichols

Notes on Contributors 

Articles

• “Imagining Savage Piety at St.-Paul-de-Varax” by Kirk Ambrose
• “Images of Christ Emmanuel in Karanlik Kilise” by Rossitza B. Schroeder
• “The Charity of the Virgin Mary in the Paris Meditations on the Life of Christ (BnF, ital. 115)” by Holly Flora
• “Faire translater, faire historier: Charles V’s Bible historiale and the Visual Rhetoric of Vernacular Sapience” by Aden Kumler
• “Elizabeth of Bosnia, Queen of Hungary, and the Tomb-Shrine of Saint Simeon in Zadar: Power and Relics in Fourteenth-Century Dalmatia” by Marina Vidas
• “Salvatrix Mundi: Representing Queen Elizabeth I as a Christ Type” by Meryl Bailey
• “The Quality of Mercy: Representations of Charity in Early Netherlandish Art” by Larry Silver and Henry Luttikhuizen

Book Reviews

• Other Icons: Art and Power in Byzantine Secular Culture by Eunice Dauterman Maguire and Henry Maguire
  • Review by Maria Parani
• The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne and the Saint-Vaast Bible by Diane J. Reilly
  • Review by Richard Gameson
• The St Albans Psalter: A Book for Christina of Markyate by Jane Geddes
  • Review by Patricia Stirnemann
• Joseph: Une image de la paternité dans l’Occident medieval by Paul Payan
  • Review by Pamela Sheingorn
• Painter and Priest: Giovanni Canavesio’s Visual Rhetoric and the Passion Cycle at La Brigue by Véronique Plesch
  • Review by David S. Areford

Notes on Contributors

Preface 

Articles

• “’Quo Vadis’: The Study of Italian Romanesque Sculpture at the Beginning of the Third Millennium” by Dorothy F. Glass
• “’The Wine in the Vines and the Foliage in the Roots’: Representations of David in the Durham Cassiodorus” by Laura E. Cochrane
• “A ‘Large Order of the Whole’: Intertextuality and Interpictoriality in the Hours of Isabella Stuart” by Richard K. Emmerson
• “An Illustrated Romanesque Hagiographic Lectionary (Lucca: Biblioteca Capitolare, Passionaro C): Inspiration, Formulation, and Reception” by Charles S. Buchanan
• “Defining the State in Commedia Miniature: Pictorial Responses to Dante’s Condemnation of Florence” by Karl Fugelso
• “Rogier van der Weyden’s ‘Pregnant’ Magdalene: On the Rhetoric of Dress in the Descent From the Cross” by Penny Howell Jolly

Book Reviews 

• Krone und Schleier: Kunst aus mittelalterlichen Frauenklöstern
  • Review by Karen Blough
• Sancta Benedicta: Missionarin, Märtyrerin, Patronin; Der Prachtcodex aus dem Frauenkloster Sainte-Benoîte in Origny by Ingrid Gardill
  • Review by Judith Oliver
• The Trinity Apocalypse (Trinity College Cambridge, MS R.16.2) by David McKitterick
  • Review by Brent A. Pitts
• Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture by Robert Mills
  • Review by Madeline H. Caviness
• Maiestas Domini: Une Image de l’église en Occident (Ve-IXe siècle) by Anne-Orange Poilpré
  • Review by William J. Diebold
• Word and Image in the Book of Kells by Heather Pulliam
  • Review by Anne-Marie Bouche
• Reading the Medieval Book. Word, Image and Performance in Wolfram von Eschenbach’s Willehalm by Kathryn Starkey
  • Review by Michael Curschmann
• The Christina Psalter: A Study of the Images and Texts in a French Early Thirteenth-Century Illuminated Manuscript by Marina Vidas
  • Review by Elizabeth S. Hudson

Notes on Contributors

Preface 

Articles

• “Pleying and Peyntynge: Performing the Dance of Death” by Elina Gertsman
• “The Levite’s Concubine: Imaging the Marginal Woman in Byzantine Society” by Mati Meyer
• “Iuxta Iter Scandalum: The ‘Wayside Stumbling-Block’ in Late Medieval Passion Imagery” by Phillip Jeffrey Guilbeau
• “Michelangelo’s Last Judgment: The Culmination of Papal Propaganda in the Sistine Chapel” by Anne Leader
• “An Augustinian Interpretation of Caravaggio’s Calling of St. Matthew” by Troy Thomas

Book Reviews 

• Saint André: Culte et iconographie en France (Ve-XVe siècles) by Charlotte Denoël
  • Review by Magdalena Carrasco
• Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity by Laura Weigert
  • Review by Kate Dimitrova
• The Sepphoris Synagogue: Deciphering an Ancient Message through its Archaeological and Socio-Historical Contexts by Zeev Weiss
  • Review by Katrin Kogman-Appel
• Jewish Book Art Between Islam and Christianity: The Decoration of Hebrew Bibles in Medieval Spain by Katrin Kogman-Appel
  • Review by Pamela A. Patton
• The Lichtenthal Psalter and the Manuscript Patronage of the Bohun Family by Lucy Freeman Sandler
  • Review by Elizabeth Peterson
• Das Passional der Kunigunde von Bšhmen: Bildrhetorik und Spiritualität by Gia Toussaint
  • Review by Panela Sheingorn
• Art, Identity and Devotion in Fourteenth-Century England: Three Women and Their Books of Hours by Kathryn A. Smith
  • Review by Anne Rudloff Stanton
• Medieval Images, Icons, and Illustrated English Literary Texts from the Ruthwell Cross to the Ellesmere Chaucer by Maidie Hilmo
  • Review by Karla Taylor

Notes on Contributors

Articles

• “Sheelas, Sex, and Significance in Romanesque Sculpture: The Kilpeck Corbel Series” by Marian Bleeke
• “Iconography of Love: Illustrations of Bride and Bridegroom in Ashkenazi Prayerbooks of the Firteenth and Fourteenth Century” by Sarit Shalev-Eyni
• “Visual Hagiography and its Context: The Narrative of the Shrine of San Donato” by Giovanni Freni
• “The Paliotto of the Corpus Domini: A Eucharistic Sculpture for a Venetian Nunnery” by Paul H. D. Kaplan
• “Patronage and Politics in the Court of the Catholic Monarchs: The Cancionero de Pedro Marcuello” by Barbara F. Weissberger
• “’Tanto goffe e mal fatte . . . dette figure si facessino . . . belle’: The Trecento Overdoor Sculptures for the Baptistry in Florence and their Cinquecento Replacements” by William R. Levin

Book Reviews 

• The Sandbach Crosses. Sign and Significance in Anglo-Saxon Culture by Jane Hawkes
  • Review by Dorothy Kelly
• Drawings and Sketches in the Plea Rolls of the English Royal Courts, c. 1200–1300 by Andrew H. Hershey
  • Review by Susan L’Engle
• Biblical Imagery in Medieval England, 700–1550 by C. M. Kauffmann
  • Review by Kristine Haney
• Gothic Art for England 1400–1547 edited by Richard Marks and Paul Wiliamson
  • Review by Colum Hourihane
• Norwich Cathedral Roof Bosses by Martial Rose and Julia Hedgecoe
  • Review by Victor I. Scherb
• The Warrior Saints in Byzantine Art and Tradition by Christopher Walter
  • Review by Elizabeth Key Fowden
• Images de l’Égypte chrétienne: Iconologie copte by Mahmoud Zibawi
  • Review by Gertrud J. M. van Loon

Notes on Contributors 

Articles

• “The Aix Jeu de Robin et Marion: Image, Text, Music” by Mark Cruse, Gabriella Parussa, and Isabelle Ragnard
• “Duccio’s Entry into Jerusalem: A New Interpretation” by Mary D. Edwards
• “The Sarajevo Haggadah: The Concept of Creatio ex nihilo and the Hermeneutical School Behind It” by Katrin Kogman-Appel and Shulamit Laderman
• “The Structure of Meaning: Architectural Representations in the Later Middle Ages” by Barbara Abou-El-Haj
• “Immersed in Things of the Body: Humor and Meaning in an Annunciation by Filippo Lippi” by Barnaby Nygren
• “The Clock in Filippino Lippi’s Annunciation Tondo” by Sarah Stanbury
• “Reproducing the Contours of Venetian Identity in Sixteenth-Century Costume Books” by Bronwen Wilson

Book Reviews

• Alcuin Blamires and Gail C. Holian, The Romance of the Rose Illuminated: Manuscripts at the National Library of Wales, Aberystwyth, review by John V. Fleming
• Madeline H. Caviness, Visualizing Women in the Middle Ages: Sight, Spectacle, and Scopic Economy, review by Rachel Dressler
• Erica Cruikshank Dodd, The Frescoes of Mar Musa al-Habashi: A Study in Medieval Painting in Syria, review by Mat Immerzeel
• Christa Grössinger, Humour and Folly in Secular and Profane Prints of Northern Europe 1430–1540, review by A. E. Wright
• Jeffrey F. Hamburger, St. John the Divine: The Deified Evangelist in Medieval Art and Theology, review by Karen Gould
• Mary Coker Joslin and Carolyn Coker Joslin Watson, The Egerton Genesis, review by Martine Meuwese
• Catherine E. Karkov, Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript, review by Benjamin C. Withers
• Susan L’Engle and Robert Gibbs, Illuminating the Law: Legal Manuscripts in Cambridge Collections, review by Kenneth Pennington
• Liselotte E. Saurma-Jeltsch, Spätformen mittelalterlicher Buchherstellung: Bilderhandschriften aus der Werkstatt Diebold Laubers in Hagenau, review by Michael Curschmann

Notes on Contributors 

Indexes to Volumes 

• Articles by Author
• Reviews by Author
• Reviews by Reviewer 

Articles

• “Introduction: Toward an Archaeology of the Early Printed Image” by David S. Areford
• “The Image in the Viewer’s Hands: The Reception of Early Prints in Europe” by David S. Areford
• “The Use of Prints in German Convents of the Fifteenth Century: The Example of Nuremberg” by Peter Schmidt
• “A Fifteenth-Century Woodcut of the Death of the Virgin in a Manuscript of Der Stachel der Liebe” by Richard S. Field
• “Narrative Threads: The Pienza Cope’s Embroidered Vitae and Their Ritual Setting” by Wendy R. Larson
• “The Annunciation to the Shepherdess” by Leslie C. Jones and Jonathan J. G. Alexander
• “Velum Templi: Painted Cloths of the Passion and the Making of Lenten Ritual in Reims” by Laura Weigert

Book Reviews 

• Art, Liturgy and Legend in Renaissance Toledo by Lynette M. F. Bosch
  • Review by Judith Berg Sobré
• The Crucified God in the Carolingian Era: Theology and Art of Christ’s Passion by Celia Chazelle
  • Review by William J. Diebold
• Inventing the Renaissance Putto by Charles Dempsey
  • Review by Sarah Blake McHam
• Portrayed on the Heart: Narrative Effect in Pictorial Lives of Saints from the Tenth through the Thirteenth Century by Cynthia Hahn
  • Review by Sherry L. Reames
• The Armenian Gospels of Gladzor: The Life of Christ Illuminated by Thomas F. Mathews and Alice Taylor
  • Review by Christina Maranci
• Monarchy and Consent: The Coronation Book of Charles V of France, British Library MS Cotton Tiberius B.VIII by Carra Ferguson O’Meara
  • Review by Lynn Ransom
• An Index of Images in English Manuscripts from the Time of Chaucer to Henry VIII, c. 1380–c. 1509: The Bodleian Library, Oxford, I–III edited by Kathleen L. Scott
  • Review by Adelaide Bennett

Contributors 

Articles

• “The People Demand a King: Visualizing Monarchy in the Psalter of Louis IX” by Gerald B. Guest
• “The Cultivation of Upper-Class Otium: Two Aquileian ‘Oratory’ Pavements Reconsidered” by Antonia Holden
• “Imagines Ætheldredae: Mapping Hagiographic Representations of Abbatial Power and Religious Patronage” by Virginia Blanton-Whetsell
• “(In)Famous Men: The Continence of Scipio and Formations of Masculinity in Fifteenth-Century Tuscan Domestic Painting” by Cristelle L. Baskins
• “Not Only Against Jews: Antisemitic Iconography and Its Functions at La Brigue” by Véronique Plesche
• “Esther as a Model for Female Autonomy in Northern Italian Art” by Babette Bohn

Book Reviews 

• Books of the Body: Anatomical Ritual and Renaissance Learning, trans. John Tedeschi and Anne C. Tedeschi by Andrea Carlino
  • Review by Ynez Violé O’Neill
• The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany by Adam S. Cohen
  • Review by Patrick J. Geary
• Vision and Image in Early Christian England by George Henderson
  • Review by Carol Neuman de Vegvar
• The Book of the Heart by Eric Jager
  • Review by Anne Hagopian van Buren
• The Making of the Magdalen: Preaching and Popular Devotion in the Later Middle Ages by Katherine Ludwig Jansen
  • Review by Judith H. Oliver
• The Making of the Bibles Moralisées by John Lowden
  • Review by Gerald B. Guest
• Il battìstero di Parma: iconografia iconologia, fonti letterarie edited by Giorgio Schianchi
  • Review by Dorothy F. Glass
• Late Antique Egyptian Funerary Sculpture: Images for this World and the Next by Thelma K. Thomas
  • Review by Christine Kondoleon

Notes on Contributors 

Articles

• “(Re)facing Prosopopeia and Allegory in Contemporary Theory and Iconography” by James J. Paxson
• “The Medieval ‘Home Office’: Evangelist Portraits in the Mount Athos Gospel Book, Stavronikita Monastery, MS 43” by Joyce Kubiski
• “Werewolves, Monsters, and Miracles: Representing Colonial Fantasies in Gerald of Wale’s Topographia Hibernica” by Rhonda Knight
• “Re-presenting the Common Place: Architectural Portraits in Trecento Painting” by Felicity Ratté
• “Magian Ars Medica, Liturgical Devices, and Eastern Influences in the Medici Palace Chapel” by Darrell Davisson
• “A Pilgrim’s Book of Hours: Addendum” by Kathryn M. Rudy

Book Reviews 

• Cassone Painting, Humanism, and Gender in Early Modern Italy by Cristelle L. Baskins
  • Review by Marina Vidas
• Margherita of Cortona and the Lorenzetti: Sienese Art and the Cult of a Holy Woman in Medieval Tuscany by Joanna Cannon and André Vauchez
  • Review by Katherine L. Jansen
• The Book of Kells: Its Function and Audience by Carol Farr
  • Review by Mildred Budny
• The Allegory of the Church: Romanesque Portals and their Verse Inscriptions by Calvin B. Kendall
  • Review by Kirk Ambrose
• Images of Intolerance: The Representation of Jews and Judaism in the Bible moralisée by Sara Lipton
  • Review by Suzanne Lewis
• Antisemitic Hate Signs in Hebrew Illuminated Manuscripts from Medieval Germany by Ruth Mellinkoff
  • Review by Achim Timmermann
• The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe by Mitchell B. Merback
  • Review by Marla Carlson
• The Art and Ritual of Childbirth in Renaissance Italy by Jacqueline Marie Musacchio
  • Review by Marina Vidas
• Gentile Tales: The Narrative Assault on Late Medieval Jews by Miri Rubin
  • Review by Achim Timmermann

Articles

• “Marcolf or Aesop? The Question of Identity in Visio-Verbal Contexts” by Michael Curschmann
• “The Construction of Sanctity: Pictorial Hagiography and Monastic Reform in the First Illustrated Life of St. Cuthbert” by Magdalena Elizabeth Carrasco
• “Cross-legged Knights and Signification in English Medieval Tomb Sculpture” by Rachel Dressler
• “Froissart’s Chroniques and Its Illustrators: Historicity and Ficticity in the Verbal and Visual Imagine of Charles VI’s Bal des Ardents” by Lorraine Kochanske Stock
• “The Altar-Shrine of Santa Fina: Local Sainthood and Church Authority in Quattrocento San Gimignano” by Linda A. Koch
• “A Pilgrim’s Book of Hours: Stockholm Royal Library A233” by Kathryn M. Rudy

Book Reviews 

• Michelangelo’s Last Judgment: The Renaissance Response by Bernadine Barnes
  • Review by Bronwen Wilson
• Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England by Michael Camille
  • Review by Lucy Freeman Sandler
• The Game of Courting and the Art of the Commune of San Gimignano, 1290–1320 by C. Jean Campbell
  • Review by William Cook
• The Poetry and Paintings of the First Bible of Charles the Bald by Paul Edward Dutton and Herbert L. Kessler
  • Review by Melanie Holcomb
• Dreams of Subversion in Medieval Jewish Art and Literature by Marc Michael Epstein
  • Review by Diane Wolfthal
• Early Netherlandish Carved Altarpieces 1380–1550: Medieval Tastes and Mass Marketing by Lynn F. Jacobs
  • Review by Hans J. Van Miegroet
• Painting in Bruges at the Close of the Middle Ages: Studies in Society and Visual Culture by Jean C. Wilson
  • Review by Hans J. Van Miegroet

Articles 

• “The English Parish Church and Its Art in the Later Middle Ages: A Review of the Problem” by Paul Binski
• “The True Cross Reliquaries of Medieval Georgia” by Nina Chichinadze
• “The Capitals of San Juan de la Peña: Narrative Sequence and Monastic Spirituality in the Romanesque Cloister” by Pamela A. Patton
• “Susanna as a Type of Christ” by Catherine Brown Tkacz
• “’Visible Parlare’: Dante’s Purgatorio 10 and Luca’s Signorelli’s San Brizio Frescoes” by Ronald B. Herzman
• “Folly and Vanity in Bruegel’s Dulle Griet: Proverbial Metaphors and their Relationship to Bosche’s Imagery” by Yona Pinson

Book Reviews 

• Picturing the Passion in Late Medieval Italy: Narrative Painting, Franciscan Ideologies, and the Levant by Anne Derbes
  • Review by Vicki L. Hamblin
• Nuns as Artists: The Visual Culture of a Medieval Convent by Jeffrey F. Hamburger
  • Review by Joanna E. Ziegler
• The Icons of their Bodies: Saints and their Images in Byzantium by Henry Maguire
  • Review by William J. Diebold
• Visualizing Boccaccio: Studies on Illustrations of The Decameron, from Giotto to Pasolini by Jill M. Ricketts
  • Review by William McClellan
• Omne Bonum: A Fourteenth-Century Encyclopedia of Universal Knowledge by Lucy Freeman Sandler
  • Review by Kathryn Kerby-Fulton
• The Medici Wedding of 1589: Florentine Festival as Theatrum Mundi by James M. Saslow
  • Review by Cristelle L. Baskins
• Art and Authority in Renaissance Milan by Evelyn S. Welch
  • Review by Jonathan B. Riess

Articles

• “Pope-Hennessy, Derrida, and ‘Literary Residue’ in Visual Images: The Case of Sassetta’s Borgo San Sepolcro Altarpiece” by Benjamin David
• “Gregory the Great’s ‘Life of St. Benedict’ and the Illustrations of Abbot Desiderius II” by John B. Wickstrom
• “St. Memmie, Apostle of Châlons, and Other Bishop Saints in the Gothic Windows of Châlons Cathedral” by Meredith Parsons Lillich
• “The Virgin Lactans as Second Eve: Image of the Salvatrix” by Beth Williamson
• “The Nether-Faced Devil and the Allegory of Parturition” by James J. Paxson
• “Survival, Resistance, and Acculturation: Guaman Poma’s Use of Costume and Textile Imagery” by Lee Anne Wilson

Review Essay

• Leslie Abend Callahan, Imagining Death: Three Recent Books on Death in/and the Middle Ages
  • Paul Binski, Medieval Death: Ritual and Representation
  • Michael Camille, Master of Death: The Lifeless Art of Pierre Remiet, Illuminator
  • Ann Tukey Harrison, ed., The Danse Macabre of Women: Ms. fr. 995 of the Bibliothèque Nationale

Book Reviews 

• Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England by Huston Diehl
  • Review by Marc Geisler
• Reframing the Renaissance: Visual Culture in Europe and Latin America 1450–1650 edited by Claire Farago
  • Review by Laura J. Crary
• Myth, Meaning, and Memory on Roman Sarcophagi by Michael Koortbojian
  • Review by Peter J. Holliday
• Meaning in the Visual Arts: Views from the Outside, A Centennial Commemoration of Erwin Panofsky (1892-1968) edited by Irving Lavin
  • Review by Charles Burroughs
• Reading Images: Narrative Discourse and Reception in the Thirteenth-Century Illuminated Apocalypse by Suzanne Lewis
  • Review by Rosemary Muir Wright
• Pandora: Women in Classical Greece edited by Ellen D. Reeder
  • Review by Christine M. Havelock

Articles

• “The Study of Marginal Imagery: Past, Present, and Future” by Lucy Freeman Sandler
• “Art History, Literary History, and the Study of Medieval Illuminated Manuscripts” by Jonathan J. G. Alexander
• “Relics, Reliquaries, and Religious Women: Visualizing the Holy Virgins of Cologne” by Joan A. Holladay
• “’Several Illuminations, Coarsely Executed’: The Illustrations of the Pearl Manuscript” by Paul F. Reichardt
• “Daphne (Without Apollo) Reconsidered: Some Disregarded Images of Sexual Pursuit in Italian Renaissance and Baroque Art” by Yael Even
• “Caravaggio and Artemisia: Testing the Limits of Caravaggism” by Judith W. Mann
• “From Theory to Practice: A Study of the Theoretical Bases of Peacham’s Emblematic Art” by Mason Tung

Book Reviews 

• Reading Dido: Gender, Textuality, and the Medieval “Aeneid” by Marilynn Desmond
  • Review by Brigitte Buettner
• Helene Peet Foley, Natalie Boymel Kampen, Sarah B. Pomeroy, and H. Alan Shapiro, Women in the Classical World: Image and Text by Elaine Fantham
  • Review by Eleanor Winsor Leach
• Giambologna: Narrator of the Catholic Reformation by Mary Weitzel Gibbons
  • Review by John M. Hunisak
• The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck’s Double Portrait by Edwin Hall
  • Review by Diana G. Scillia
• Domestic and Divine: Roman Mosaics in the House of Dionysos by Christine Kondoleon
  • Review by Diane Favro
• The Renaissance Antichrist: Luca Signorelli’s Orvieto Frescoes by Jonathan B. Reiss
  • Review by Marjorie Reeves
• Duivelsbeelden: Een cultuurhistorische speurtocht door de Lage Landen edited by Gerard Rooijakkers, Lène Dresen-Coenders, and Margreet Geerdes
  • Review by Walter S. Gibson
• Imaging Aristotle: Verbal and Visual Representation in Fourteenth-Century France by Claire Richter Sherman
  • Review by Kathryn A. Smith
• The Ellesmere Chaucer: Essays in Interpretation edited by Martin Stevens and Daniel Woodward
  • Review by Robert W. Hanning
• African Zion: The Sacred Art of Ethiopia
  • Review by Thelma K. Thomas
• Les Heures de Nurenberg: Reproductions intégrale du calendrier et des images du manuscript Solger 4.4o de la Stadtbibliothek de Nuremberg
  • Review by Adelaide Bennett
• Painting and Illumination in Early Renaissance Florence, 1300–1450 and The Painted Page: Italian Renaissance Book Illustration, 1450–1550
  • Reviews by Edith W. Kirsch

Articles

• “Recent Approaches to Early Christian and Byzantine Iconography” by Lois Drewer
• “Salvation, Correctness, and Healing: Aspects of the Reception of a Sixth-Century Jonah Pyxis in St. Petersburg” by Karl Sandin
• “’Ploratus et Ululatus’: The Mothers in the Massacre of the Innocents at Chartres Cathedral” by Kathleen Nolan
• “Feminine Folly, Burgher Calculation, and Anti-Communal Rhetoric in Thirteenth-Century Tours” by Sharon Farmer
• “La Genealogye Comence: Kinship and Difference in the Queen Mary Psalter” by Anne Rudloff Stanton
• “Advertising Charity in the Trecento: The Public Decorations of the Misericordia in Florence” review by William R. Levin
• “Vision and Violence in Some Gothic Meditative Imagery” by Nell Gifford Martin
• “The Illustrated de Worde: An Overview” by Martha W. Driver

Book Reviews 

• The Point of Theory: Practices of Cultural Analysis edited by Mieke Bal and Inge E. Boer
  • Review by Dhira Mahoney, Corine Schleif, Debora Schwartz, Juliann Vitullo
• Medieval Mythography: From Roman North Africa to the School of Chartres, AD 422–1177 by Jane Chance
  • Review by Marilynn Desmond
• Visual Polemics in the Ninth-Century Byzantine Psalters by Kathleen Corrigan
  • Review by Catherine Brown Tkacz
• Sealed in Parchment: Rereadings of Knighthood in the Illuminated Manuscripts of Chrétien de Troyes by Sandra Hindman
  • Review by Sylvia Huot
• Romanesque Wall Painting in Central France: The Politics of Narrative by Marcia A. Kupfer
  • Review by Barbara Abou-El-Haj
• The Practice of Theory: Poststructuralism, Cultural Politics, and Art History by Keith Moxey
  • Review by Marc Geisler
• Seeable Signs: The Iconography of the Seven Sacraments 1350–1544 by Ann Eljenholm Nichols
  • Review by Kathleen Ashley
• An Introduction to Iconography: Symbols, Allusions, and Meaning in the Visual Arts by Roelef van Straten
  • Review by Brendan Cassidy

Articles

• “Gender Trouble in Italian Renaissance Art History: Two Case Studies” by Cristelle L. Baskins
• “Susanna and Saint Eligius: Romanesque Reception of a Carolingian Jewel” by Genevra Kornbluth
• “Text and Image in the Making of a Holy Man: An Illustrated Life of Saint Maurus of Glanfeuil (MS Vat. Lat. 1202)” by John B. Wickstrom
• “Saint Agatha and the Sanctification of Sexual Violence” by Martha Easton
• “The Torture of Saint Apollonia: Deconstructing Fouquet’s Martyrdom Stage” by Leslie Abend Callahan
• “Narratives of Marginalization: De-Centering Women in Tuscan Domestic Painting ca. 1500” by Peter F. Lynch
• “The Humblest Prophet: The Infant Baptist in Venice ca. 1500” by Brian D. Steele
• “Ambiguities of Apollo and Marsyas: Francesco Berni and His First Published Work, Dialogo Contra I Poeti” by Anne Reynolds

Book Reviews 

• Medieval Illuminators and Their Methods of Work by Jonathan J. G. Alexander
  • Review by Martha W. Driver
• Iconography at the Crossroads edited by Brendan Cassidy
  • Review by Ann Roberts
• The Romance of the Rose and its Medieval Readers: Interpretation, Reception, Manuscript Transmission by Sylvia Huot
  • Review by Michael Camille
• The Clash of Gods: A Reinterpretation of Early Christian Art by Thomas F. Mathews
  • Review by Dale Kinney
• Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages by Ruth Mellinkoff
  • Review by Diane Wolfthal

From the Editors

Articles

• "Iconography and Ideology: Uncovering Social Meanings in Western Medieval Christian Art" by Jonathan J. G. Alexander
• "The Language of the Illustrations of Chrétien de Troyes's 'Le Chevalier au Lion (Yvain)'" by Nancy B. Black
• "The Sex of the Savior in Renaissance Art: The 'Revelations' of Saint Bridget and the Nude Christ Child in Renaissance Art" by Vida J. Hull
• "Donatello's Bronze 'David': Grillanda, Goliath, Groom?" by Cristelle L. Baskins
• "Vasari's Pictorial Musing on the Muse: The Chamber of Apollo of the Casa Vasari" by Liana De Girolami Cheney
• "Philology and Emblemcs: A Murder Case" by Karen Pinkus
• "'Stayed Steps': Colun Clout's Slow Hastening into Riper Years" by Gary M. Bouchard
• "The Poet as Art Critic: Identity and Representation in Marvell's 'The Gallery'" by Renée Hannaford Ramsey
• "Disruption and Entanglement: Maenadism in William Holman Hunt's 'The Lady of Shalott' and Max Klinger's 'Temptation'" by Christiane Hertel

Book Reviews 

• The Ruthwell Cross edited by Brendan Cassidy
  • Review by Carol Neuman de Vegvar
• Image on the Edge: The Margins of Medieval Art by Michael Camille
  • Review by Madeline H. Caviness
• The Bernard H. Breslauer Collection of Manuscript Illuminations by William M. Voelkle and Roger S. Wieck, assisted by Maria Francesca P. Saffiotti
  • Review by Adelaide Bennett