ROMARD
ROMARD (ISSN 0098-647X, eISSN 2693-8472) is a peer-reviewed journal sponsored by the Medieval and Renaissance Drama Society (MRDS) and published by Medieval Institute Publications on an annual basis. With over three decades of operation, the journal is dedicated to the dissemination and discussion of bold interdisciplinary approaches, methodologies, and conceptualizations regarding the study of drama, performance, theatre, and theatricality from pre-modernity (500–1650). Additionally, ROMARD seeks work that expands the exploration of the dramatic impulses, theatrical phenomena, and performative material of the past, encompassing global cultures and histories. We invite full-length articles that challenge and/or re-examine established narratives, definitions, documentation, and ontologies concerning historical performance(s) and theatricality. Articles submitted may include—but are not limited to—archival research, historiographical analysis, literary criticism, performance theory, performance-as or performance-based research, historical dramaturgy, productions census or efforts in translation of source materials.
ROMARD published volume 58, the first with Medieval Institute Publications and the first volume of the journal available in print and online editions, in 2021.
ROMARD is currently accepting submissions for our 2026 issue. Please be advised that while ROMARD is happy to accept your submission at this time, the current publication timeline will preclude any response from the editorial team until late 2025. Please feel free to email us with any questions.
Current issue: Volume 60 (2023)
Introduction, by Kyle A. Thomas
The Excremental Ecology of Ben Jonson's "Bartholomew Fair" by Courtney A. Druzak
Review: "We fight for roses too:" The 2022 Lincoln Mystery Plays by Heather S. Mitchell-Buck
Review: John A. Geck, ed. "Records of Early English Drama: Cambridgeshire" by Theresa Coletti