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MIP is Multidisciplinary | International | Premodern

Books published with Medieval Institute Publications use literary, historical and material sources and employ innovative and interdisciplinary approaches to what it has meant to be human through the ages.
Save 20% on all MIP titles! Use code Medieval23 at checkout for all titles published with De Gruyter and code 2341-23 for all TEAMS titles.

Scholarly titles

Check out our new and featured scholarly titles below, and use code Medieval23 at checkout to save 20% on all MIP scholarly titles published with De Gruyter!

Cover image of Performing Widowhood on the Early Modern English Stage: An image of a woman in a black sixteenth-century dress, with the title in white on a blue background.

Performing Widowhood on the Early Modern English Stage

Offers a fresh and incisive examination of the theatrical representation of widows by discussing the material conditions of the early modern stage.
—By Asuka Kimura
Cover image of Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature, by Christine Schott: a variety of open books stuck to a wooden wall with wads of chewing gum"

Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature

Discusses published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom.
—By Christine Schott
Cover image of Living on the Edge: Transgression, Exclusion, and Persecution in the Middle Ages, edited by Delfi I. Nieto-Isabel and Laura Miquel Milian: a medieval manuscript illustration of a line of undressed men walking out of a walled city followed by soldiers.

Living on the Edge: Transgression, Exclusion, and Persecution in the Middle Ages

Addresses the widespread medieval phenomenon of transgression as both a result of and the cause for the exclusion and persecution of those who were considered different.
—Edited by Delfi I. Nieto-Isabel and Laura Miquel Milian
Cover image of The Bond of Empathy in Medieval and Early Modern Literature, by David Strong: a carving of two seated men, holding right hands and with one man's head on the other's shoulder. The title in white on a red background.

The Bond of Empathy in Medieval and Early Modern Literature

Examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries.
—By David Strong
Cover image of Postmodern Poetry and Queer Medievalisms: Time Mechanics, edited by David Hadbawnik

Postmodern Poetry and Queer Medievalisms: Time Mechanics

Grapples with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by the medieval sources of postmodern poetry still reverberate and hold relevance for today’s world.
—Edited by David Hadbawnik
Cover image of Anglo-Danish Empire: A Companion to the Reign of King Cnut the Great, edited by Richard North, Erin Goeres, and Alison Finlay

Anglo-Danish Empire: A Companion to the Reign of King Cnut the Great

An interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great, offering comprehensive analysis of England's shift from Anglo-Saxon to Danish rule.
—Edited by Richard North, Erin Goeres and Alison Finlay
Cover image of Negotiating Boundaries in Medieval Literature and Culture: Essays on Marginality, Difference, and Reading Practices in Honor of Thomas Hahn, edited by Valerie B. Johnson and Kara L. McShane: a blank piece of vellum nailed to a tree trunk

Negotiating Boundaries in Medieval Literature and Culture

With careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis, these essays highlight the literary culture of late medieval England afresh while embracing the study of alterity and hybridity within Middle English literature.
—Edited by Valerie B. Johnson and Kara L. McShane
Cover image of The Gaelic Background of Old English Poetry Before Bede: a carved stone Celtic cross, in front of a leafy background, with the title in tan on a black background.

The Gaelic Background of Old English Poetry Before Bede

Displays the transformations in Old English poetry created by the growth of vernacular literatures and bilingual intellectual cultures.
—By Colin A. Ireland
Cover image of Thinking Queerly: Medievalism, Wizardy, and Neuromedievalism in Young Adult Texts: A bearded person with elaborate makeup. The title in yellow on a background gradient of pink to purple.

Thinking Queerly: Medievalism, Wizardry, and Neurodiversity in Young Adult Texts

Traces the wizard from medieval Arthurian literature to contemporary young adult adaptations and explores how the wizard offers spaces of hope and transformation for young readers.
—By Jes Battis

Classroom texts

Browse our newest classroom texts below, and use code 2341-23 at checkout to save 20% on all books published with TEAMS: Teaching Association for Medieval Studies!

Cover of Wills and Testaments in Medieval England from the Thirteenth to the Sixteenth Century, edited by Robert A. Wood: An image of a medieval will with multiple seals hanging from the bottom, on a purple background.

Wills and Testaments in Medieval England from the Thirteenth to the Sixteenth Century

Explores the will-making process in late medieval England for all levels of society, from widows, tradespeople and artisans, clergy and high-ranking wealthy people, and more.
—Edited by Robert A. Wood
Cover image of The Miracle of Theophilus, by Gautier de Coinci, edited and translated by Jerry Root: A manuscript illumination of an initial Q, with a man on a horse being confronted by demons

The Legend of Theophilus, by Gautier de Coinci

A new edition and translation of the most famous medieval miracle story, which allows students to see the medieval period’s greatest fears and highest hopes.
—Edited and translated by Jerry Root
Cover image of John of Garland, Integumenta Ovidii: a manuscript image of several women beating a man with clubs, the title in blue on a yellow background.

John of Garland, Integumenta Ovidii: Text, Translation and Commentary

The first new edition and translation in 90 years of this series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses.
—Edited and translated by Kyle Gervais
Cover image of Blandin de Cornoalha, A Comic Occitan Romance: A New Critical Edition and Translation: a medieval manuscript illustration of two knights on horseback

Blandin de Cornoalha, A Comic Occitan Romance: A New Critical Edition and Translation

Makes available for the first time in English an edition of this medieval romance and parody, accompanied by a translation and introduction to the work.
—Edited by Wendy Pfeffer, translated by Margaret Burrell and Wendy Pfeffer
"Cover image of Jewish Daily Life in Medieval Northern Europe, 1080–1350: a medieval manuscript image of a Hebrew letter under two entwined dragons, on a purple background"

Jewish Daily Life in Medieval Northern Europe, 1080-1350

Designed to introduce students to the everyday lives of the Jews who lived in the German Empire, northern France, and England from the 11th to the mid-14th centuries, the volume consists of translations of primary sources written by or about medieval Jews.
—Edited by Tzafrir Barzilay, Eyal Levinson, and Elisheva Baumgarten
Cover image of Anthony Munday: The Honourable, Pleasant, and Rare Conceited Historie of Palmendos

Anthony Munday, The Honourable, Pleasant, and Rare Conceited Historie of Palmendos: A Critical Edition

The first critical edition of this sixteenth-century chivalric romance translated into English by Anthony Munday.
—Edited by Leticia Álvarez-Recio
Cover image of The Owl and the Nightingale and the English Poems of Oxford, Jesus College, MS 29 (II), edited and translated by Susanna Fein: Man and owl in a bush opposite a chirping bird; flock fluttering above. The Howard Psalter; ca. 1308–1340; London, British Library, MS Arundel 83, fol. 14r, detail. Photo: © The British Library.

"The Owl and the Nightingale" and the English Poems of Oxford, Jesus College, MS 29 (II)

An edition of the early Middle English verse sequence contained in the thirteenth-century Oxford Jesus College MS 29 (II) with accompanying translations in Modern English and scholarly introduction and apparatus.
—Edited and translated by Susanna Fein
Cover image of The Destruction of Jerusalem, or Titus and Vespasian

The Destruction of Jerusalem, or Titus and Vespasian

This new edition expands our understanding of fall of Jerusalem narratives in later medieval England, bringing attention to a long-ignored English retelling of these first-century events that captivated Christian audiences.
—Edited by Kara L. McShane and Mark J. B. Wright
Cover image of Of Knyghthode and Bataile

Of Knyghthode and Bataile

Composed for King Henry VI in the middle of the Wars of the Roses, Of Knyghthode and Bataile adapts the most widely used military manual in the Middle Ages into English verse.
—Edited by Trevor Russell Smith and Michael Livingston

Our Commitment to the Humanities

Focusing on the late antique, medieval and early modern periods, our publications explore such topics as:

• The human experience
• Media, materiality and otherness
• Literature and literary culture
• Art, music and drama
• Religion and spirituality
• Popular culture

Research into the premodern world offers complex understandings of how cultural ideas, traditions and practices are constructed, transferred and disseminated among different agents and regions. Understanding what it meant to be human in the premodern world is essential to understanding our present moment and our future trajectories.

Humanities research plays a vital role in contemporary civic life and offers human and humane insights into today’s greatest challenges. MIP is proud to take a stand for the humanities and are committed to the expansion of humanistic study, inquiry and discourse inside and outside of the university. We believe that humanities research should progress boldly, keeping pace with technological innovation, globalization and democratization.

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